No end in sight : a critique of poptimism's counter-hegemonic aesthetics
Poptimism is a school of contemporary popular music criticism characterized by its rejection of the notion of the “guilty pleasure” and traditions within rock journalism called “rockism.” Through an examination of poptimist writing, particularly Carl Wilson’s “Céline project” (which resulted in a bo...
| Main Author: | |
|---|---|
| Format: | Others |
| Language: | English |
| Published: |
2011
|
| Subjects: | |
| Online Access: | http://hdl.handle.net/2152/ETD-UT-2010-12-2048 |