Portraiture and feminine identity
To portray women without objectifying them is an intentional, political act. The art historical tradition is to paint women to extol their sexual beauty and to encourage possessiveness. There is a new guard of women painters who provide a counterpoint to this tradition by depicting a more multifacet...
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ndltd-UTEXAS-oai-repositories.lib.utexas.edu-2152-ETD-UT-2011-05-28602015-09-20T17:02:37ZPortraiture and feminine identityHouse, Felice LouisePortraitureFigurative paintingWomen's studiesAlice NeelBarkley HendricksPaint handlingTo portray women without objectifying them is an intentional, political act. The art historical tradition is to paint women to extol their sexual beauty and to encourage possessiveness. There is a new guard of women painters who provide a counterpoint to this tradition by depicting a more multifaceted version of the female psyche. I align myself as an artist with them by attempting to broaden the depiction of women as subjects in painting. My subjects are beautiful and observable, but not consumable. They are more public than private and more iconic than intimate. My paintings have a strong connection to traditional portraiture in both style and technique. However, my subjects are contemporized through the use of modern fashion, unexpected facial expressions, unique color relationships and photographic cropping.text2011-08-08T14:08:57Z2011-08-08T14:08:57Z2011-052011-08-08May 20112011-08-08T14:09:24Zthesisapplication/pdfhttp://hdl.handle.net/2152/ETD-UT-2011-05-28602152/ETD-UT-2011-05-2860eng |
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English |
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Others
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Portraiture Figurative painting Women's studies Alice Neel Barkley Hendricks Paint handling |
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Portraiture Figurative painting Women's studies Alice Neel Barkley Hendricks Paint handling House, Felice Louise Portraiture and feminine identity |
description |
To portray women without objectifying them is an intentional, political act. The art historical tradition is to paint women to extol their sexual beauty and to encourage possessiveness. There is a new guard of women painters who provide a counterpoint to this tradition by depicting a more multifaceted version of the female psyche. I align myself as an artist with them by attempting to broaden the depiction of women as subjects in painting. My subjects are beautiful and observable, but not consumable. They are more public than private and more iconic than intimate. My paintings have a strong connection to traditional portraiture in both style and technique. However, my subjects are contemporized through the use of modern fashion, unexpected facial expressions, unique color relationships and photographic cropping. === text |
author |
House, Felice Louise |
author_facet |
House, Felice Louise |
author_sort |
House, Felice Louise |
title |
Portraiture and feminine identity |
title_short |
Portraiture and feminine identity |
title_full |
Portraiture and feminine identity |
title_fullStr |
Portraiture and feminine identity |
title_full_unstemmed |
Portraiture and feminine identity |
title_sort |
portraiture and feminine identity |
publishDate |
2011 |
url |
http://hdl.handle.net/2152/ETD-UT-2011-05-2860 |
work_keys_str_mv |
AT housefelicelouise portraitureandfeminineidentity |
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