Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration

When mainstream institutions fail to provide adequate avenues for black Americans to develop humanizing understandings of their identities and exclude them from full citizenship, how do black Americans develop identity, belonging, and community within structures of oppression? Through ethnography an...

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Main Author: Miles, Corey J.
Other Authors: Sociology
Format: Others
Language:en
Published: Virginia Tech 2020
Subjects:
Online Access:http://hdl.handle.net/10919/100324
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spelling ndltd-VTETD-oai-vtechworks.lib.vt.edu-10919-1003242021-10-09T05:25:49Z Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration Miles, Corey J. Sociology Harrison, Anthony Kwame Brunsma, David L. Copeland, Nicholas M. Faulkner, Brandy S. aesthetics identity incarceration hip-hop When mainstream institutions fail to provide adequate avenues for black Americans to develop humanizing understandings of their identities and exclude them from full citizenship, how do black Americans develop identity, belonging, and community within structures of oppression? Through ethnography and archival research this study documents how the aesthetic realm historically and contemporarily serves as a site of articulation where rural black Americans recast notions of black subjectivity and local belonging. To understand the process of rural black Americans using the aesthetic realm to reposition the importance of mainstream institutions, this research uses a 'socio-diasporic' framework to view the ways those socially positioned as black come to understand that positioning via the way institutions structure their day-to-day reality; and how through the forging of diasporic connections black people have been able to construct knowledge within, alongside, and independently of those institutions. Specifically, this ethnography situates the criminal justice system as a primary institutional apparatus in defining the societal significance of blackness in northeast North Carolina. Hip-hop has served as a performative avenue to engage negotiations of identity, and through this search for identity black centered epistemological and ontological understandings of black subjectivity have been created. To appreciate black Americans' unique understandings of the world that I argue they construct, I advance the notion of "vibe" as a methodological tool to conceptualize the way specific aesthetic and cultural sensibilities are used to construct understandings of blackness, gendered identity, and local belonging. Doctor of Philosophy 2020-10-10T06:00:27Z 2020-10-10T06:00:27Z 2019-04-18 Dissertation vt_gsexam:18959 http://hdl.handle.net/10919/100324 en This item is protected by copyright and/or related rights. Some uses of this item may be deemed fair and permitted by law even without permission from the rights holder(s), or the rights holder(s) may have licensed the work for use under certain conditions. For other uses you need to obtain permission from the rights holder(s). ETD application/pdf Virginia Tech
collection NDLTD
language en
format Others
sources NDLTD
topic aesthetics
identity
incarceration
hip-hop
spellingShingle aesthetics
identity
incarceration
hip-hop
Miles, Corey J.
Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration
description When mainstream institutions fail to provide adequate avenues for black Americans to develop humanizing understandings of their identities and exclude them from full citizenship, how do black Americans develop identity, belonging, and community within structures of oppression? Through ethnography and archival research this study documents how the aesthetic realm historically and contemporarily serves as a site of articulation where rural black Americans recast notions of black subjectivity and local belonging. To understand the process of rural black Americans using the aesthetic realm to reposition the importance of mainstream institutions, this research uses a 'socio-diasporic' framework to view the ways those socially positioned as black come to understand that positioning via the way institutions structure their day-to-day reality; and how through the forging of diasporic connections black people have been able to construct knowledge within, alongside, and independently of those institutions. Specifically, this ethnography situates the criminal justice system as a primary institutional apparatus in defining the societal significance of blackness in northeast North Carolina. Hip-hop has served as a performative avenue to engage negotiations of identity, and through this search for identity black centered epistemological and ontological understandings of black subjectivity have been created. To appreciate black Americans' unique understandings of the world that I argue they construct, I advance the notion of "vibe" as a methodological tool to conceptualize the way specific aesthetic and cultural sensibilities are used to construct understandings of blackness, gendered identity, and local belonging. === Doctor of Philosophy
author2 Sociology
author_facet Sociology
Miles, Corey J.
author Miles, Corey J.
author_sort Miles, Corey J.
title Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration
title_short Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration
title_full Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration
title_fullStr Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration
title_full_unstemmed Niggaz Wit Aesthetic: A Sociological Conceptualization of Diasporic Hip-Hop Identities in the Era of Mass Incarceration
title_sort niggaz wit aesthetic: a sociological conceptualization of diasporic hip-hop identities in the era of mass incarceration
publisher Virginia Tech
publishDate 2020
url http://hdl.handle.net/10919/100324
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