Toward a Theory of Formal Function in Stravinsky’s Neoclassical Keyboard Works
Form in Stravinsky’s music continues to be a topic of great interest and varied approaches, including blocks, stratification, juxtaposition, and displacement. This document provides another approach based heavily on the models proposed by William E. Caplin in his Classical Form: A Theory of Formal F...
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Language: | en_US |
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The University of Arizona.
2018
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Online Access: | http://hdl.handle.net/10150/626657 http://arizona.openrepository.com/arizona/handle/10150/626657 |