Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig

abstract: ABSTRACT German history during the 20th century was extremely complex—containing numerous events that can be labelled horrific and traumatic. The horrors and traumas of WWII forced Germans to actively address their country’s National Socialist pasts by taking responsibility for their ro...

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Other Authors: Dietz, Dominik (Author)
Format: Dissertation
Language:English
Published: 2016
Subjects:
DDR
Online Access:http://hdl.handle.net/2286/R.I.38772
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spelling ndltd-asu.edu-item-387722018-06-22T03:07:30Z Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig abstract: ABSTRACT German history during the 20th century was extremely complex—containing numerous events that can be labelled horrific and traumatic. The horrors and traumas of WWII forced Germans to actively address their country’s National Socialist pasts by taking responsibility for their roles, creating a national memory about the Nazi atrocities and implementing the reparations program, the Wiedergutmachungsabkommen, with the newly formed nation of Israel. The social theorist Theodor Adorno wrote in his 1959 essay “Was bedeutet: Aufarbeitung der Vergangenheit?” about three subtly nuanced terms: Aufarbeitung der Vergangenheit, Verarbeitung der Vergangenheit and Vergangensheitbewältigung, in which he addresses the various ways that Germany was dealing with traumatic events from this National Socialist past. Adorno specifically demanded a constant renegotiation of the past or Verarbeitung der Vergangenheit because it is the only way forward, through which people remember the horrors and atrocities of the past and work towards not allowing those events to occur again. This thesis applies the theoretical framework set forth by Adorno to explore efforts to engage the DDR and Stasi past after the Fall of the Wall and reunification. Specifically, it examines the concept of Verarbeitung der Vergangenheit and demonstrates how Thomas Brussig’s satirical novel Helden wie wir, and two documentary films Aus Liebe zum Volk and Das Wunder von Leipzig are examples of working upon this DDR and Stasi past. More specifically, the utilization of humor in the novel and the paralanguage modifications in the films provide insight to the feelings and emotions that individuals had about their pasts in the DDR. It is through this expression of emotion and feelings while writing and speaking about the past, which serves as the immediate moment when individuals actively working upon their pasts. Dissertation/Thesis Dietz, Dominik (Author) Gilfillan, Daniel (Advisor) Alexander, John (Committee member) Benkert, Volker (Committee member) Arizona State University (Publisher) German literature Adorno DDR Stasi working upon the past eng 64 pages Masters Thesis German 2016 Masters Thesis http://hdl.handle.net/2286/R.I.38772 http://rightsstatements.org/vocab/InC/1.0/ All Rights Reserved 2016
collection NDLTD
language English
format Dissertation
sources NDLTD
topic German literature
Adorno
DDR
Stasi
working upon the past
spellingShingle German literature
Adorno
DDR
Stasi
working upon the past
Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig
description abstract: ABSTRACT German history during the 20th century was extremely complex—containing numerous events that can be labelled horrific and traumatic. The horrors and traumas of WWII forced Germans to actively address their country’s National Socialist pasts by taking responsibility for their roles, creating a national memory about the Nazi atrocities and implementing the reparations program, the Wiedergutmachungsabkommen, with the newly formed nation of Israel. The social theorist Theodor Adorno wrote in his 1959 essay “Was bedeutet: Aufarbeitung der Vergangenheit?” about three subtly nuanced terms: Aufarbeitung der Vergangenheit, Verarbeitung der Vergangenheit and Vergangensheitbewältigung, in which he addresses the various ways that Germany was dealing with traumatic events from this National Socialist past. Adorno specifically demanded a constant renegotiation of the past or Verarbeitung der Vergangenheit because it is the only way forward, through which people remember the horrors and atrocities of the past and work towards not allowing those events to occur again. This thesis applies the theoretical framework set forth by Adorno to explore efforts to engage the DDR and Stasi past after the Fall of the Wall and reunification. Specifically, it examines the concept of Verarbeitung der Vergangenheit and demonstrates how Thomas Brussig’s satirical novel Helden wie wir, and two documentary films Aus Liebe zum Volk and Das Wunder von Leipzig are examples of working upon this DDR and Stasi past. More specifically, the utilization of humor in the novel and the paralanguage modifications in the films provide insight to the feelings and emotions that individuals had about their pasts in the DDR. It is through this expression of emotion and feelings while writing and speaking about the past, which serves as the immediate moment when individuals actively working upon their pasts. === Dissertation/Thesis === Masters Thesis German 2016
author2 Dietz, Dominik (Author)
author_facet Dietz, Dominik (Author)
title Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig
title_short Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig
title_full Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig
title_fullStr Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig
title_full_unstemmed Working Upon the DDR and Stasi Past: The Role of Humor in Thomas Brussig’s Helden wie wir and Paralanguage in Eyal Sivan’s Aus Liebe zum Volk and Sebastian Dehnhardt’s Das Wunder von Leipzig
title_sort working upon the ddr and stasi past: the role of humor in thomas brussig’s helden wie wir and paralanguage in eyal sivan’s aus liebe zum volk and sebastian dehnhardt’s das wunder von leipzig
publishDate 2016
url http://hdl.handle.net/2286/R.I.38772
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