Revelatory Juxtaposition, Collage and Language in Contemporary Performance

abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke along with guest artist Gina Jurek that premiered from September 6-8, 2018 at Arizona State University. The creative tools of sensation, presence, and fantasy were applied in the development of an indi...

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Bibliographic Details
Other Authors: Klitzke, Jordan Alan (Author)
Format: Dissertation
Language:English
Published: 2018
Subjects:
Online Access:http://hdl.handle.net/2286/R.I.51616
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spelling ndltd-asu.edu-item-516162019-02-02T03:01:10Z Revelatory Juxtaposition, Collage and Language in Contemporary Performance abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke along with guest artist Gina Jurek that premiered from September 6-8, 2018 at Arizona State University. The creative tools of sensation, presence, and fantasy were applied in the development of an individualized movement vocabulary focused on the artist’s embodiment of contrasting ideas. That research was then further cultivated into an immersive theatrical collage that stimulated relational thinking and heightened consciousness. “Mierda.” was an example of a contemporary creative process that utilized the languages of dance and theater. The performance was a unique continuation of artistic research undertaken by pioneers in the dance and theater fields such as Danielle Agami, Lloyd Newson, Hofesh Schechter, and Anne Bogart. It was documented and created over a nine-month period including the three final performances. The form and content of “Mierda.” was not predetermined, but emerged throughout the creative process and performance of the work. The resulting narrative demonstrated the revelatory potential of this style of theatrical inquiry. Precise energy, tension and questioning formed an immersive, intimate experience for the viewers and performers and invited the audience to “fill in the blanks” as they connected with the emerging narrative. The final work was a collage of surprising juxtapositions on both the micro-level of individual movements and the macro-level of theatrical structure. Analysis of the work resulted in a critical understanding of the creative tools used along with future proposals for continued research. Not only did the research enlighten and contextualize the practices of an emerging choreographer, it also argued for a new understanding of the value of Dance as a personal practice of reflection and growth. Dissertation/Thesis Klitzke, Jordan Alan (Author) Standley, Eileen (Advisor) Conder, Carley (Committee member) Eckard, Bonnie (Committee member) Arizona State University (Publisher) Dance Theater Performing arts Collage Dance Improvisation Performance Spanish Theater eng 56 pages Masters Thesis Dance 2018 Masters Thesis http://hdl.handle.net/2286/R.I.51616 http://rightsstatements.org/vocab/InC/1.0/ 2018
collection NDLTD
language English
format Dissertation
sources NDLTD
topic Dance
Theater
Performing arts
Collage
Dance
Improvisation
Performance
Spanish
Theater
spellingShingle Dance
Theater
Performing arts
Collage
Dance
Improvisation
Performance
Spanish
Theater
Revelatory Juxtaposition, Collage and Language in Contemporary Performance
description abstract: “Mierda.” was an original 50-minute solo dance and theater performance by Jordan Klitzke along with guest artist Gina Jurek that premiered from September 6-8, 2018 at Arizona State University. The creative tools of sensation, presence, and fantasy were applied in the development of an individualized movement vocabulary focused on the artist’s embodiment of contrasting ideas. That research was then further cultivated into an immersive theatrical collage that stimulated relational thinking and heightened consciousness. “Mierda.” was an example of a contemporary creative process that utilized the languages of dance and theater. The performance was a unique continuation of artistic research undertaken by pioneers in the dance and theater fields such as Danielle Agami, Lloyd Newson, Hofesh Schechter, and Anne Bogart. It was documented and created over a nine-month period including the three final performances. The form and content of “Mierda.” was not predetermined, but emerged throughout the creative process and performance of the work. The resulting narrative demonstrated the revelatory potential of this style of theatrical inquiry. Precise energy, tension and questioning formed an immersive, intimate experience for the viewers and performers and invited the audience to “fill in the blanks” as they connected with the emerging narrative. The final work was a collage of surprising juxtapositions on both the micro-level of individual movements and the macro-level of theatrical structure. Analysis of the work resulted in a critical understanding of the creative tools used along with future proposals for continued research. Not only did the research enlighten and contextualize the practices of an emerging choreographer, it also argued for a new understanding of the value of Dance as a personal practice of reflection and growth. === Dissertation/Thesis === Masters Thesis Dance 2018
author2 Klitzke, Jordan Alan (Author)
author_facet Klitzke, Jordan Alan (Author)
title Revelatory Juxtaposition, Collage and Language in Contemporary Performance
title_short Revelatory Juxtaposition, Collage and Language in Contemporary Performance
title_full Revelatory Juxtaposition, Collage and Language in Contemporary Performance
title_fullStr Revelatory Juxtaposition, Collage and Language in Contemporary Performance
title_full_unstemmed Revelatory Juxtaposition, Collage and Language in Contemporary Performance
title_sort revelatory juxtaposition, collage and language in contemporary performance
publishDate 2018
url http://hdl.handle.net/2286/R.I.51616
_version_ 1718970021058707456