Tuk in Barbados : the history, development and recontextualisation of a musical genre

This thesis is the first major investigation of tuk and documents an important part of Barbados' heritage. It also opens up opportunities for further research to be undertaken in Barbadian music and in related fields elsewhere in the Caribbean region. This thesis explores the history, developme...

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Main Author: Meredith, Sharon
Published: University of Warwick 2002
Subjects:
782
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272664
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spelling ndltd-bl.uk-oai-ethos.bl.uk-2726642017-10-04T03:17:59ZTuk in Barbados : the history, development and recontextualisation of a musical genreMeredith, Sharon2002This thesis is the first major investigation of tuk and documents an important part of Barbados' heritage. It also opens up opportunities for further research to be undertaken in Barbadian music and in related fields elsewhere in the Caribbean region. This thesis explores the history, development and recontextualisation of Barbadian tuk music. The history of Barbados is examined before considering Barbadian culture and how a Barbadian national identity was increasingly sought during the twentieth century, particularly after Independence. Music during the period of slavery, African music and British military music, the major influences on tuk, are explored before a study of the instruments, rhythms and repertoire of tuk. Types of tuk, and tuk-type musics elsewhere are examined and tuk is compared with other musics. Modern tuk musicians, their treatment of tuk, and how tuk has been, and continues to be, recontextualised is explored. The history, organisation and roles of the Barbados Landship, an organisation modelled on the British Royal Navy, but which never goes to sea, are considered together with the Landship's relationship with the tuk band. Finally, an overview of music and festivals in Barbados today places tuk in the country's musical scene. This thesis argues that tuk is predominantly a music that originated from imitating European military fife and drum bands, and that the African elements of it are to be found in rhythmic improvisation and some African retentions that have direct parallels with military fife and drum bands. It also argues that tuk exhibits characteristics similar to musics found elsewhere that can be attributed to the effects of the slave trade, colonialism and migration. In addition, the thesis argues that the Landship's relationship with the tuk band is a continuation of a naval tradition.782M MusicUniversity of Warwickhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272664http://wrap.warwick.ac.uk/91318/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 782
M Music
spellingShingle 782
M Music
Meredith, Sharon
Tuk in Barbados : the history, development and recontextualisation of a musical genre
description This thesis is the first major investigation of tuk and documents an important part of Barbados' heritage. It also opens up opportunities for further research to be undertaken in Barbadian music and in related fields elsewhere in the Caribbean region. This thesis explores the history, development and recontextualisation of Barbadian tuk music. The history of Barbados is examined before considering Barbadian culture and how a Barbadian national identity was increasingly sought during the twentieth century, particularly after Independence. Music during the period of slavery, African music and British military music, the major influences on tuk, are explored before a study of the instruments, rhythms and repertoire of tuk. Types of tuk, and tuk-type musics elsewhere are examined and tuk is compared with other musics. Modern tuk musicians, their treatment of tuk, and how tuk has been, and continues to be, recontextualised is explored. The history, organisation and roles of the Barbados Landship, an organisation modelled on the British Royal Navy, but which never goes to sea, are considered together with the Landship's relationship with the tuk band. Finally, an overview of music and festivals in Barbados today places tuk in the country's musical scene. This thesis argues that tuk is predominantly a music that originated from imitating European military fife and drum bands, and that the African elements of it are to be found in rhythmic improvisation and some African retentions that have direct parallels with military fife and drum bands. It also argues that tuk exhibits characteristics similar to musics found elsewhere that can be attributed to the effects of the slave trade, colonialism and migration. In addition, the thesis argues that the Landship's relationship with the tuk band is a continuation of a naval tradition.
author Meredith, Sharon
author_facet Meredith, Sharon
author_sort Meredith, Sharon
title Tuk in Barbados : the history, development and recontextualisation of a musical genre
title_short Tuk in Barbados : the history, development and recontextualisation of a musical genre
title_full Tuk in Barbados : the history, development and recontextualisation of a musical genre
title_fullStr Tuk in Barbados : the history, development and recontextualisation of a musical genre
title_full_unstemmed Tuk in Barbados : the history, development and recontextualisation of a musical genre
title_sort tuk in barbados : the history, development and recontextualisation of a musical genre
publisher University of Warwick
publishDate 2002
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272664
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