National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom

National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom

Bibliographic Details
Main Author: Potamitis, Nicholas Yiannis
Published: University of Birmingham 2003
Subjects:
791.430949509045
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410267
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spelling ndltd-bl.uk-oai-ethos.bl.uk-4102672015-03-19T03:34:17ZNational identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardomPotamitis, Nicholas Yiannis2003791.430949509045University of Birminghamhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410267Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 791.430949509045
spellingShingle 791.430949509045
Potamitis, Nicholas Yiannis
National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom
author Potamitis, Nicholas Yiannis
author_facet Potamitis, Nicholas Yiannis
author_sort Potamitis, Nicholas Yiannis
title National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom
title_short National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom
title_full National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom
title_fullStr National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom
title_full_unstemmed National identity and the popular Greek cinema of the fifties : the ideological machinery of genre and stardom
title_sort national identity and the popular greek cinema of the fifties : the ideological machinery of genre and stardom
publisher University of Birmingham
publishDate 2003
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410267
work_keys_str_mv AT potamitisnicholasyiannis nationalidentityandthepopulargreekcinemaofthefiftiestheideologicalmachineryofgenreandstardom
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