Modernism's dislocated self: James Joyce & multiple personality

This thesis explores Joyce's lifelong questioning of subjectivity and language in terms of his work's largely overlooked context of multiple personality psychology, and parapsychology. Turn-of-the-century multiple personality encompassed a diverse set of pre-Freudian psychologies and disco...

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Main Author: Ko, Charles
Published: University of Oxford 2008
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Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491264
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spelling ndltd-bl.uk-oai-ethos.bl.uk-4912642015-03-20T06:28:43ZModernism's dislocated self: James Joyce & multiple personalityKo, Charles2008This thesis explores Joyce's lifelong questioning of subjectivity and language in terms of his work's largely overlooked context of multiple personality psychology, and parapsychology. Turn-of-the-century multiple personality encompassed a diverse set of pre-Freudian psychologies and discourses - hypnosis, hysteria, spiritualism, psychical research, psychopathology, and Gothic literature—constellated around the period's discovery of the unconscious and its unsettling vision of a psychically porous and multiplex self. These models of the mind—and the fears and fantasies attached to them— provide a context not only for the social and psychic reality in Joyce's fiction but also for the various procedures associated with his modernist assault on character and narrative.823.912University of Oxfordhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491264Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 823.912
spellingShingle 823.912
Ko, Charles
Modernism's dislocated self: James Joyce & multiple personality
description This thesis explores Joyce's lifelong questioning of subjectivity and language in terms of his work's largely overlooked context of multiple personality psychology, and parapsychology. Turn-of-the-century multiple personality encompassed a diverse set of pre-Freudian psychologies and discourses - hypnosis, hysteria, spiritualism, psychical research, psychopathology, and Gothic literature—constellated around the period's discovery of the unconscious and its unsettling vision of a psychically porous and multiplex self. These models of the mind—and the fears and fantasies attached to them— provide a context not only for the social and psychic reality in Joyce's fiction but also for the various procedures associated with his modernist assault on character and narrative.
author Ko, Charles
author_facet Ko, Charles
author_sort Ko, Charles
title Modernism's dislocated self: James Joyce & multiple personality
title_short Modernism's dislocated self: James Joyce & multiple personality
title_full Modernism's dislocated self: James Joyce & multiple personality
title_fullStr Modernism's dislocated self: James Joyce & multiple personality
title_full_unstemmed Modernism's dislocated self: James Joyce & multiple personality
title_sort modernism's dislocated self: james joyce & multiple personality
publisher University of Oxford
publishDate 2008
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491264
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