American women sculptors in Rome in the mid-nineteenth century : feminist and psychoanalytic readings of a displaced canon
Henry James's phrase, `white, marmorean flock', has become the defining image for the American women sculptors who worked in Rome in the midnineteenth century at the height of neoclassicism, subsuming their works and histories under the connotations of its words. Instead of simply permitti...
| Main Author: | |
|---|---|
| Published: |
University of Leeds
1998
|
| Subjects: | |
| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494026 |