Seneca's tragedies and the aesthetics of pantomime

In this thesis I explore the affinities between Seneca's tragic plays and pantomime, arguably the most popular dramatic genre during the Roman Empire, but relatively neglected by literary critics. The research is thus designed to make not only a significant contribution to our understanding of...

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Main Author: Zanobi, Alessandra
Published: Durham University 2008
Subjects:
880
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496809
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spelling ndltd-bl.uk-oai-ethos.bl.uk-4968092015-03-20T04:48:06ZSeneca's tragedies and the aesthetics of pantomimeZanobi, Alessandra2008In this thesis I explore the affinities between Seneca's tragic plays and pantomime, arguably the most popular dramatic genre during the Roman Empire, but relatively neglected by literary critics. The research is thus designed to make not only a significant contribution to our understanding of Seneca's tragic art (especially through the explanation of formal features that depart from the conventions of fifth-century Attic drama and have long puzzled scholars), but also to Imperial performance culture more generally. In particular, I hope to shed light on the interaction between so-called 'high’ and 'low' forms of artistic endeavours at the time, which previous scholarship has tended to overlook.880Durham Universityhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496809http://etheses.dur.ac.uk/2158/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 880
spellingShingle 880
Zanobi, Alessandra
Seneca's tragedies and the aesthetics of pantomime
description In this thesis I explore the affinities between Seneca's tragic plays and pantomime, arguably the most popular dramatic genre during the Roman Empire, but relatively neglected by literary critics. The research is thus designed to make not only a significant contribution to our understanding of Seneca's tragic art (especially through the explanation of formal features that depart from the conventions of fifth-century Attic drama and have long puzzled scholars), but also to Imperial performance culture more generally. In particular, I hope to shed light on the interaction between so-called 'high’ and 'low' forms of artistic endeavours at the time, which previous scholarship has tended to overlook.
author Zanobi, Alessandra
author_facet Zanobi, Alessandra
author_sort Zanobi, Alessandra
title Seneca's tragedies and the aesthetics of pantomime
title_short Seneca's tragedies and the aesthetics of pantomime
title_full Seneca's tragedies and the aesthetics of pantomime
title_fullStr Seneca's tragedies and the aesthetics of pantomime
title_full_unstemmed Seneca's tragedies and the aesthetics of pantomime
title_sort seneca's tragedies and the aesthetics of pantomime
publisher Durham University
publishDate 2008
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496809
work_keys_str_mv AT zanobialessandra senecastragediesandtheaestheticsofpantomime
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