Print culture and responses to crime in mid-eighteenth-century London

The historiography of eighteenth-century crime, justice, and the law is one greatly divided between the study of the administration of the law as a social history of experience and the study of crime literature as a cultural history of representation. We have little sense of the relationship between...

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Main Author: Ward, Richard
Other Authors: Shoemaker, Robert
Published: University of Sheffield 2010
Subjects:
942
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531124
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spelling ndltd-bl.uk-oai-ethos.bl.uk-5311242017-10-04T03:25:49ZPrint culture and responses to crime in mid-eighteenth-century LondonWard, RichardShoemaker, Robert2010The historiography of eighteenth-century crime, justice, and the law is one greatly divided between the study of the administration of the law as a social history of experience and the study of crime literature as a cultural history of representation. We have little sense of the relationship between representation and response. The following thesis bridges this historiographical divide in order to assess the impact of print upon perceptions of, and responses to, crime. With a huge increase in the output of printed crime literature and significant developments in responses to crime, metropolitan London in the period 1747-1755 represents an excellent case study for investigating the relationship between representation and response. It is argued that (in addition to direct experience) contemporary perceptions of crime were heavily influenced by print. For the most part contemporaries took crime literature at face value, coming to anxious conclusions about the state of crime. At mid century, various genres of print represented crime as an especially pressing, serious, and threatening social problem, but at the same time suggested that the justice system was to some extent capable of dealing with the threat. This had a likely significant impact upon responses to crime, for the middling- and upper-classes who were the primary audience of crime literature were also the key decision makers in the justice system. Print did in many ways have an impact upon prosecutorial, policing, and punishment practices in mid-eighteenth-century London. But its influence upon responses to crime was neither uniform nor absolute. Rather, print's impact was mediated by a number of factors, particularly the context within which contemporary responses to crime took place. By placing representation and response within the context of one another, we can better understand the nature of both.942University of Sheffieldhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531124http://etheses.whiterose.ac.uk/1257/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 942
spellingShingle 942
Ward, Richard
Print culture and responses to crime in mid-eighteenth-century London
description The historiography of eighteenth-century crime, justice, and the law is one greatly divided between the study of the administration of the law as a social history of experience and the study of crime literature as a cultural history of representation. We have little sense of the relationship between representation and response. The following thesis bridges this historiographical divide in order to assess the impact of print upon perceptions of, and responses to, crime. With a huge increase in the output of printed crime literature and significant developments in responses to crime, metropolitan London in the period 1747-1755 represents an excellent case study for investigating the relationship between representation and response. It is argued that (in addition to direct experience) contemporary perceptions of crime were heavily influenced by print. For the most part contemporaries took crime literature at face value, coming to anxious conclusions about the state of crime. At mid century, various genres of print represented crime as an especially pressing, serious, and threatening social problem, but at the same time suggested that the justice system was to some extent capable of dealing with the threat. This had a likely significant impact upon responses to crime, for the middling- and upper-classes who were the primary audience of crime literature were also the key decision makers in the justice system. Print did in many ways have an impact upon prosecutorial, policing, and punishment practices in mid-eighteenth-century London. But its influence upon responses to crime was neither uniform nor absolute. Rather, print's impact was mediated by a number of factors, particularly the context within which contemporary responses to crime took place. By placing representation and response within the context of one another, we can better understand the nature of both.
author2 Shoemaker, Robert
author_facet Shoemaker, Robert
Ward, Richard
author Ward, Richard
author_sort Ward, Richard
title Print culture and responses to crime in mid-eighteenth-century London
title_short Print culture and responses to crime in mid-eighteenth-century London
title_full Print culture and responses to crime in mid-eighteenth-century London
title_fullStr Print culture and responses to crime in mid-eighteenth-century London
title_full_unstemmed Print culture and responses to crime in mid-eighteenth-century London
title_sort print culture and responses to crime in mid-eighteenth-century london
publisher University of Sheffield
publishDate 2010
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531124
work_keys_str_mv AT wardrichard printcultureandresponsestocrimeinmideighteenthcenturylondon
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