English folk singing and the construction of community

This thesis presents the ways contemporary English folk singers construct and enact community though their musical participation. To complement my existing knowledge from a 30 year long participation in folk singing, I use a combined approach of sociological methods including participant observation...

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Main Author: Hield, Fay
Other Authors: Beal, Joan ; Killick, Andrew
Published: University of Sheffield 2010
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Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531184
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spelling ndltd-bl.uk-oai-ethos.bl.uk-5311842017-10-04T03:25:48ZEnglish folk singing and the construction of communityHield, FayBeal, Joan ; Killick, Andrew2010This thesis presents the ways contemporary English folk singers construct and enact community though their musical participation. To complement my existing knowledge from a 30 year long participation in folk singing, I use a combined approach of sociological methods including participant observation, diary, interview and focus group to obtain naturally occurring and elicited data. This information was collected following an adaptation of the Grounded Theory method and coded using the Atlas.ti programme. This process established various themes pertaining to the experience of community within folk singing environments arranged here in four chapters: the development of a folk repertoire and conceptions of tradition, the physical and temporal structures of folk events, the social environment, and the ways the sounds of folk singing are produced. A variety of theoretical approaches to the concept of ‘community' are applied to these phenomena, including imagined community, symbolic community, moral community, communities of practice, communitas and the role of individualism within the group. This research shows that, although ‘community' is not a term routinely applied by folk singers to their activities, interpretations of the term are evident in their behaviours. I have found the boundary of community within this context to be a fluid concept and the core of community to be based on individual perception. The ideological, organisational and social environments found in folk singing events suggest the capacity for open access and inclusivity, however, a relatively stable group of practitioners has developed and the resulting tacit behavioural norms creates a considerable barrier to participation for newcomers. Attaining the knowledge to fully engage, however, provides participants with a heightened sense of belonging and community is strongly felt precisely because it is difficult to achieve.307.1University of Sheffieldhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531184http://etheses.whiterose.ac.uk/1544/Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 307.1
spellingShingle 307.1
Hield, Fay
English folk singing and the construction of community
description This thesis presents the ways contemporary English folk singers construct and enact community though their musical participation. To complement my existing knowledge from a 30 year long participation in folk singing, I use a combined approach of sociological methods including participant observation, diary, interview and focus group to obtain naturally occurring and elicited data. This information was collected following an adaptation of the Grounded Theory method and coded using the Atlas.ti programme. This process established various themes pertaining to the experience of community within folk singing environments arranged here in four chapters: the development of a folk repertoire and conceptions of tradition, the physical and temporal structures of folk events, the social environment, and the ways the sounds of folk singing are produced. A variety of theoretical approaches to the concept of ‘community' are applied to these phenomena, including imagined community, symbolic community, moral community, communities of practice, communitas and the role of individualism within the group. This research shows that, although ‘community' is not a term routinely applied by folk singers to their activities, interpretations of the term are evident in their behaviours. I have found the boundary of community within this context to be a fluid concept and the core of community to be based on individual perception. The ideological, organisational and social environments found in folk singing events suggest the capacity for open access and inclusivity, however, a relatively stable group of practitioners has developed and the resulting tacit behavioural norms creates a considerable barrier to participation for newcomers. Attaining the knowledge to fully engage, however, provides participants with a heightened sense of belonging and community is strongly felt precisely because it is difficult to achieve.
author2 Beal, Joan ; Killick, Andrew
author_facet Beal, Joan ; Killick, Andrew
Hield, Fay
author Hield, Fay
author_sort Hield, Fay
title English folk singing and the construction of community
title_short English folk singing and the construction of community
title_full English folk singing and the construction of community
title_fullStr English folk singing and the construction of community
title_full_unstemmed English folk singing and the construction of community
title_sort english folk singing and the construction of community
publisher University of Sheffield
publishDate 2010
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531184
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