English folk singing and the construction of community
This thesis presents the ways contemporary English folk singers construct and enact community though their musical participation. To complement my existing knowledge from a 30 year long participation in folk singing, I use a combined approach of sociological methods including participant observation...
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University of Sheffield
2010
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ndltd-bl.uk-oai-ethos.bl.uk-5311842017-10-04T03:25:48ZEnglish folk singing and the construction of communityHield, FayBeal, Joan ; Killick, Andrew2010This thesis presents the ways contemporary English folk singers construct and enact community though their musical participation. To complement my existing knowledge from a 30 year long participation in folk singing, I use a combined approach of sociological methods including participant observation, diary, interview and focus group to obtain naturally occurring and elicited data. This information was collected following an adaptation of the Grounded Theory method and coded using the Atlas.ti programme. This process established various themes pertaining to the experience of community within folk singing environments arranged here in four chapters: the development of a folk repertoire and conceptions of tradition, the physical and temporal structures of folk events, the social environment, and the ways the sounds of folk singing are produced. A variety of theoretical approaches to the concept of ‘community' are applied to these phenomena, including imagined community, symbolic community, moral community, communities of practice, communitas and the role of individualism within the group. This research shows that, although ‘community' is not a term routinely applied by folk singers to their activities, interpretations of the term are evident in their behaviours. I have found the boundary of community within this context to be a fluid concept and the core of community to be based on individual perception. The ideological, organisational and social environments found in folk singing events suggest the capacity for open access and inclusivity, however, a relatively stable group of practitioners has developed and the resulting tacit behavioural norms creates a considerable barrier to participation for newcomers. Attaining the knowledge to fully engage, however, provides participants with a heightened sense of belonging and community is strongly felt precisely because it is difficult to achieve.307.1University of Sheffieldhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531184http://etheses.whiterose.ac.uk/1544/Electronic Thesis or Dissertation |
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307.1 Hield, Fay English folk singing and the construction of community |
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This thesis presents the ways contemporary English folk singers construct and enact community though their musical participation. To complement my existing knowledge from a 30 year long participation in folk singing, I use a combined approach of sociological methods including participant observation, diary, interview and focus group to obtain naturally occurring and elicited data. This information was collected following an adaptation of the Grounded Theory method and coded using the Atlas.ti programme. This process established various themes pertaining to the experience of community within folk singing environments arranged here in four chapters: the development of a folk repertoire and conceptions of tradition, the physical and temporal structures of folk events, the social environment, and the ways the sounds of folk singing are produced. A variety of theoretical approaches to the concept of ‘community' are applied to these phenomena, including imagined community, symbolic community, moral community, communities of practice, communitas and the role of individualism within the group. This research shows that, although ‘community' is not a term routinely applied by folk singers to their activities, interpretations of the term are evident in their behaviours. I have found the boundary of community within this context to be a fluid concept and the core of community to be based on individual perception. The ideological, organisational and social environments found in folk singing events suggest the capacity for open access and inclusivity, however, a relatively stable group of practitioners has developed and the resulting tacit behavioural norms creates a considerable barrier to participation for newcomers. Attaining the knowledge to fully engage, however, provides participants with a heightened sense of belonging and community is strongly felt precisely because it is difficult to achieve. |
author2 |
Beal, Joan ; Killick, Andrew |
author_facet |
Beal, Joan ; Killick, Andrew Hield, Fay |
author |
Hield, Fay |
author_sort |
Hield, Fay |
title |
English folk singing and the construction of community |
title_short |
English folk singing and the construction of community |
title_full |
English folk singing and the construction of community |
title_fullStr |
English folk singing and the construction of community |
title_full_unstemmed |
English folk singing and the construction of community |
title_sort |
english folk singing and the construction of community |
publisher |
University of Sheffield |
publishDate |
2010 |
url |
http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531184 |
work_keys_str_mv |
AT hieldfay englishfolksingingandtheconstructionofcommunity |
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1718543446906503168 |