Wild animals in Roman epic

Roman epic authors extended, reinvented and created new wild animal representations that stood apart from traditional Greek epic renderings. The treatment of wild animals in seven Roman epics (Virgil’s Aeneid, Lucan’s Civil War, Ovid’s Metamorphoses, Statius’ Thebaid and Achilleid, Valerius’ Argonau...

Full description

Bibliographic Details
Main Author: Hawtree, Laura Joy
Other Authors: Dickey, Eleanor
Published: University of Exeter 2011
Subjects:
880
Online Access:http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548982
id ndltd-bl.uk-oai-ethos.bl.uk-548982
record_format oai_dc
spelling ndltd-bl.uk-oai-ethos.bl.uk-5489822015-03-20T04:05:18ZWild animals in Roman epicHawtree, Laura JoyDickey, Eleanor2011Roman epic authors extended, reinvented and created new wild animal representations that stood apart from traditional Greek epic renderings. The treatment of wild animals in seven Roman epics (Virgil’s Aeneid, Lucan’s Civil War, Ovid’s Metamorphoses, Statius’ Thebaid and Achilleid, Valerius’ Argonautica and Silius’ Punica) forms the basis of this thesis, but the extensive study of other relevant works such as Homer’s Iliad and Odyssey and Apollonius’ Argonautica allows greater insight into traditional Greek renderings and throws Roman developments into starker contrast. Initial stages of research involved collection and detailed examination of almost 900 epic references to wild animals. The findings from this preliminary research were analysed in the context of Pliny’s Natural History, Aristotle’s Historia Animalium, and other ancient works that reveal the Greeks’ and Romans’ views of wild animals. The accumulation of such a range of evidence made it possible for patterns of development to become evident. This thesis focuses on the epic representation of animals and considers a number of questions: 1) How Roman epic authors represented animals’ emotions and employed creatures’ thought processes. 2) How Roman epic authors examined the difference between wild and tame animals and manipulated the differences and similarities between humans and animals and culture and nature. 3) How wild animals were aligned with scientific and cultural beliefs that were particular to Roman society. 4) How animals were employed to signify foreign countries and how some epic animals came to be symbolic of nations. 5) How Roman epic authors represented particular aspects of animal behaviours with fresh insight, sometimes ignoring traditional representations and historiographic sources.880Wild Animals : Roman Epic : Natural History : Animal PsychologyUniversity of Exeterhttp://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548982http://hdl.handle.net/10036/3469Electronic Thesis or Dissertation
collection NDLTD
sources NDLTD
topic 880
Wild Animals : Roman Epic : Natural History : Animal Psychology
spellingShingle 880
Wild Animals : Roman Epic : Natural History : Animal Psychology
Hawtree, Laura Joy
Wild animals in Roman epic
description Roman epic authors extended, reinvented and created new wild animal representations that stood apart from traditional Greek epic renderings. The treatment of wild animals in seven Roman epics (Virgil’s Aeneid, Lucan’s Civil War, Ovid’s Metamorphoses, Statius’ Thebaid and Achilleid, Valerius’ Argonautica and Silius’ Punica) forms the basis of this thesis, but the extensive study of other relevant works such as Homer’s Iliad and Odyssey and Apollonius’ Argonautica allows greater insight into traditional Greek renderings and throws Roman developments into starker contrast. Initial stages of research involved collection and detailed examination of almost 900 epic references to wild animals. The findings from this preliminary research were analysed in the context of Pliny’s Natural History, Aristotle’s Historia Animalium, and other ancient works that reveal the Greeks’ and Romans’ views of wild animals. The accumulation of such a range of evidence made it possible for patterns of development to become evident. This thesis focuses on the epic representation of animals and considers a number of questions: 1) How Roman epic authors represented animals’ emotions and employed creatures’ thought processes. 2) How Roman epic authors examined the difference between wild and tame animals and manipulated the differences and similarities between humans and animals and culture and nature. 3) How wild animals were aligned with scientific and cultural beliefs that were particular to Roman society. 4) How animals were employed to signify foreign countries and how some epic animals came to be symbolic of nations. 5) How Roman epic authors represented particular aspects of animal behaviours with fresh insight, sometimes ignoring traditional representations and historiographic sources.
author2 Dickey, Eleanor
author_facet Dickey, Eleanor
Hawtree, Laura Joy
author Hawtree, Laura Joy
author_sort Hawtree, Laura Joy
title Wild animals in Roman epic
title_short Wild animals in Roman epic
title_full Wild animals in Roman epic
title_fullStr Wild animals in Roman epic
title_full_unstemmed Wild animals in Roman epic
title_sort wild animals in roman epic
publisher University of Exeter
publishDate 2011
url http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548982
work_keys_str_mv AT hawtreelaurajoy wildanimalsinromanepic
_version_ 1716783765676621824