Between self and other : abjection and unheimlichkeit in the films of David Lynch
This thesis re-evaluates David Lynch’s films and their critical reception, with particular reference to psychological models employed in the context of ‘Lynchian’ themes such as identity, the self, the material, doubling and ambiguity, In repositioning readings and arguing for a new approach, I iden...
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University of Newcastle Upon Tyne
2011
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556000 |