The signifying self : Cervantine drama as counter-perspective aesthetic
This thesis offers an evaluation of Miguel de Cervantes's Ocho comedias y ocho entremeses nuevos nunca representados (Madrid, 1615) with the aim of redressing the critical neglect suffered by Cervantine drama. Existing scholarship on the plays traditionally prioritises what Cervantes's the...
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Queen's University Belfast
2012
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.557617 |