Trauma, company and witnessing in Samuel Beckett's post-war drama, 1952-61
The present thesis examines the interrelation between the dynamics of human company and the psychoanalytic concept of witnessing in Samuel Beckett’s major post-war drama. The analysis provided concentrates primarily on 'Waiting for Godot' (1952), 'Endgame' (1957), and 'Happy...
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University of Manchester
2014
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.634870 |