Mapping music production: professionals, amateurs and the field of classical music in Hong Kong.
Yeung, Hiu Yan Dorcas. === Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. === Includes bibliographical references (leaves 166-173). === Abstracts in English and Chinese. === Abstract --- p.i === Acknowledgements --- p.iv === Table of Contents --- p.v === Tables and Figures --- p.vii ==...
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| Format: | Others |
| Language: | English Chinese |
| Published: |
2010
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| Online Access: | http://library.cuhk.edu.hk/record=b5894362 http://repository.lib.cuhk.edu.hk/en/item/cuhk-327262 |
| Summary: | Yeung, Hiu Yan Dorcas. === Thesis (M.Phil.)--Chinese University of Hong Kong, 2010. === Includes bibliographical references (leaves 166-173). === Abstracts in English and Chinese. === Abstract --- p.i === Acknowledgements --- p.iv === Table of Contents --- p.v === Tables and Figures --- p.vii === Chapter Chapter 1. --- Introduction === Chapter 1.1. --- Background --- p.1 === Chapter 1.2. --- Objectives and research questions --- p.8 === Chapter 1.3. --- Significance --- p.11 === Chapter 1.4. --- Chapters overview --- p.12 === Chapter Chapter 2. --- The Scene of Classical Music and Cultural Policy in Hong Kong === Chapter 2.1. --- Defining classical music and beyond --- p.16 === Chapter 2.2. --- Development of orchestras and classical music in Hong Kong --- p.17 === Chapter 2.3. --- Models of cultural policy and policy in Hong Kong --- p.21 === Chapter 2.4. --- Supporting arts groups --- p.29 === Chapter 2.5. --- Current funding policy --- p.31 === Chapter Chapter 3. --- Literature Review === Chapter 3.1. --- Introduction --- p.38 === Chapter 3.2. --- Theorizing state and arts - the field of cultural production --- p.38 === Chapter 3.3. --- Arts administration --- p.47 === Chapter 3.4. --- Amateur --- p.51 === Chapter 3.5. --- "Chapter summary: Amateur arts group, administration and the field" --- p.58 === Chapter Chapter 4. --- Methodology === Chapter 4.1. --- In-depth interviews --- p.60 === Chapter 4.2. --- Documentation --- p.63 === Chapter 4.3. --- Limitations --- p.63 === Chapter Chapter 5. --- Being (and Surviving as) an Amateur: Case Studies of Music Groups === Chapter 5.1. --- Introduction --- p.65 === Chapter 5.2. --- Estimating number of amateur music groups --- p.65 === Chapter 5.3. --- The spectrum from professional to hobbyist --- p.67 === Chapter 5.4. --- The need for resources --- p.76 === Chapter 5.5. --- From beliefs to action --- p.89 === Chapter 5.6. --- Models of operation --- p.96 === Chapter 5.7. --- Chapter summary --- p.105 === Chapter Chapter 6. --- Between What We Want and How They Do: Matching with the Administrative Habitus === Chapter 6.1. --- Introduction --- p.107 === Chapter 6.2. --- The significance of arts administration --- p.107 === Chapter 6.3. --- The mechanism --- p.110 === Chapter 6.4. --- Getting around the system --- p.124 === Chapter 6.5. --- Arts administration as a field --- p.131 === Chapter 6.6. --- Negotiating with the administration --- p.140 === Chapter 6.7. --- Chapter summary: Mapping the field --- p.144 === Chapter Chapter 7. --- Conclusion === Chapter 7.1. --- Conclusion --- p.149 === Chapter 7.2. --- Implications on cultural policy --- p.154 === Chapter 7.3. --- Implications on amateur and amateur activities --- p.158 === Chapter 7.4. --- Limitations and future direction --- p.159 === Appendixes --- p.163 === References --- p.166 |
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