Shattered a Musical Drama in One Act
Shattered is a dramatic one-act opera based on an original libretto by the composer. It is a universal story about what hides behind the reality that people present to others. The opera involves only six characters, without a chorus, accompanied by a small chamber orchestra. The small ensemble allow...
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ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1808652020-06-09T03:08:47Z Shattered a Musical Drama in One Act McCullough, Thomas Eric (authoraut) Kubik, Ladislav (professor directing dissertation) Georgiev, Lubomir (outside committee member) Spencer, Peter (committee member) Mathes, James (committee member) College of Music (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf Shattered is a dramatic one-act opera based on an original libretto by the composer. It is a universal story about what hides behind the reality that people present to others. The opera involves only six characters, without a chorus, accompanied by a small chamber orchestra. The small ensemble allows for a better sense of intimacy between the characters on stage and the audience, as compared to a traditional large-scale opera with its huge ensembles and extravagant settings. This opera is intended for performances in smaller, regional houses and community theaters. The music is through-composed and the libretto is highly conversational, allowing for recitative style singing interrupted with short lyrical arias and ensembles. A conservative harmonic language is used throughout the piece, with sections of quasi-minimalism and impressionism. I relied mostly on the drama of the libretto and the melodic nature of the human voice for the setting of the text. The vocal writing in the conversation sections is slightly broken and follows the inflection of normal speech, while the arietta sections are quite lyrical and more extended, vocally. While the original setting of the libretto is modern and not highly stylized, this drama can take place in any time and situation because of the universal nature of human beings and their emotions. A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music. Spring Semester, 2004. March 22, 2004. Original Libretto, Opera, Chamber, Vocal, Score Includes bibliographical references. Ladislav Kubik, Professor Directing Dissertation; Lubomir Georgiev, Outside Committee Member; Peter Spencer, Committee Member; James Mathes, Committee Member. Music FSU_migr_etd-2591 http://purl.flvc.org/fsu/fd/FSU_migr_etd-2591 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A180865/datastream/TN/view/Shattered%20a%20Musical%20Drama%20in%20One%20Act.jpg |
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Music Shattered a Musical Drama in One Act |
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Shattered is a dramatic one-act opera based on an original libretto by the composer. It is a universal story about what hides behind the reality that people present to others. The opera involves only six characters, without a chorus, accompanied by a small chamber orchestra. The small ensemble allows for a better sense of intimacy between the characters on stage and the audience, as compared to a traditional large-scale opera with its huge ensembles and extravagant settings. This opera is intended for performances in smaller, regional houses and community theaters. The music is through-composed and the libretto is highly conversational, allowing for recitative style singing interrupted with short lyrical arias and ensembles. A conservative harmonic language is used throughout the piece, with sections of quasi-minimalism and impressionism. I relied mostly on the drama of the libretto and the melodic nature of the human voice for the setting of the text. The vocal writing in the conversation sections is slightly broken and follows the inflection of normal speech, while the arietta sections are quite lyrical and more extended, vocally. While the original setting of the libretto is modern and not highly stylized, this drama can take place in any time and situation because of the universal nature of human beings and their emotions. === A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music. === Spring Semester, 2004. === March 22, 2004. === Original Libretto, Opera, Chamber, Vocal, Score === Includes bibliographical references. === Ladislav Kubik, Professor Directing Dissertation; Lubomir Georgiev, Outside Committee Member; Peter Spencer, Committee Member; James Mathes, Committee Member. |
author2 |
McCullough, Thomas Eric (authoraut) |
author_facet |
McCullough, Thomas Eric (authoraut) |
title |
Shattered a Musical Drama in One Act |
title_short |
Shattered a Musical Drama in One Act |
title_full |
Shattered a Musical Drama in One Act |
title_fullStr |
Shattered a Musical Drama in One Act |
title_full_unstemmed |
Shattered a Musical Drama in One Act |
title_sort |
shattered a musical drama in one act |
publisher |
Florida State University |
url |
http://purl.flvc.org/fsu/fd/FSU_migr_etd-2591 |
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1719318118217547776 |