Comparison of Nasalance Between Trained Singers and Non-Singers

Nasalance measures were reported for two groups, 36 trained female singers and 36 female non-singers. Each group sang and sustained the point vowels (/i/, /ae/, /u/, /a/) for six seconds duration across three frequency levels. Three seconds from the middle of each vowel was measured to generate nasa...

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Other Authors: Fowler, Linda P. (authoraut)
Format: Others
Language:English
English
Published: Florida State University
Subjects:
Online Access:http://purl.flvc.org/fsu/fd/FSU_migr_etd-4411
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1825392020-06-13T03:08:16Z Comparison of Nasalance Between Trained Singers and Non-Singers Fowler, Linda P. (authoraut) Morris, Richard J. (professor directing dissertation) Thomas, André (outside committee member) Stierwalt, Julie A. G. (committee member) LaPointe, Leonard L. (committee member) Walker, Virginia (committee member) School of Communication (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf Nasalance measures were reported for two groups, 36 trained female singers and 36 female non-singers. Each group sang and sustained the point vowels (/i/, /ae/, /u/, /a/) for six seconds duration across three frequency levels. Three seconds from the middle of each vowel was measured to generate nasalance scores. No significant differences were found in the mean nasalance scores between the trained singers and the non-singers. The nasalance scores were significantly higher for front vowels as compared to back vowels for both groups. Additionally, both groups displayed a pattern of producing significantly higher nasalance scores at lower frequencies than at higher frequencies. The implication of these results is that most singers spontaneously raise the velum on high frequencies and depress it on lower frequencies. These findings put into question the need to train velar movement in Western classical singing. A Dissertation submitted to the Department of Communication Disorders in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Fall Semester, 2004. September 30, 2004. Frequency, Non-Singers, Trained Singers, Vowels, Velopharyngeal Port, Soft Palate, Nasalance Includes bibliographical references. Richard J. Morris, Professor Directing Dissertation; André Thomas, Outside Committee Member; Julie A. G. Stierwalt, Committee Member; Leonard L. LaPointe, Committee Member; Virginia Walker, Committee Member. Communication FSU_migr_etd-4411 http://purl.flvc.org/fsu/fd/FSU_migr_etd-4411 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A182539/datastream/TN/view/Comparison%20of%20Nasalance%20Between%20Trained%20Singers%20and%20Non-Singers.jpg
collection NDLTD
language English
English
format Others
sources NDLTD
topic Communication
spellingShingle Communication
Comparison of Nasalance Between Trained Singers and Non-Singers
description Nasalance measures were reported for two groups, 36 trained female singers and 36 female non-singers. Each group sang and sustained the point vowels (/i/, /ae/, /u/, /a/) for six seconds duration across three frequency levels. Three seconds from the middle of each vowel was measured to generate nasalance scores. No significant differences were found in the mean nasalance scores between the trained singers and the non-singers. The nasalance scores were significantly higher for front vowels as compared to back vowels for both groups. Additionally, both groups displayed a pattern of producing significantly higher nasalance scores at lower frequencies than at higher frequencies. The implication of these results is that most singers spontaneously raise the velum on high frequencies and depress it on lower frequencies. These findings put into question the need to train velar movement in Western classical singing. === A Dissertation submitted to the Department of Communication Disorders in partial fulfillment of the requirements for the degree of Doctor of Philosophy. === Fall Semester, 2004. === September 30, 2004. === Frequency, Non-Singers, Trained Singers, Vowels, Velopharyngeal Port, Soft Palate, Nasalance === Includes bibliographical references. === Richard J. Morris, Professor Directing Dissertation; André Thomas, Outside Committee Member; Julie A. G. Stierwalt, Committee Member; Leonard L. LaPointe, Committee Member; Virginia Walker, Committee Member.
author2 Fowler, Linda P. (authoraut)
author_facet Fowler, Linda P. (authoraut)
title Comparison of Nasalance Between Trained Singers and Non-Singers
title_short Comparison of Nasalance Between Trained Singers and Non-Singers
title_full Comparison of Nasalance Between Trained Singers and Non-Singers
title_fullStr Comparison of Nasalance Between Trained Singers and Non-Singers
title_full_unstemmed Comparison of Nasalance Between Trained Singers and Non-Singers
title_sort comparison of nasalance between trained singers and non-singers
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_migr_etd-4411
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