Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction
Within the traditional Christian discourse of love, redemption is most often available through an act of self-sacrifice. This project aims to examine alternate models of redemption within contemporary black women's fiction that both critique, and alleviate the necessity for, a gendered act of s...
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ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1826432020-06-13T03:08:22Z Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction Valentine, Tao Alethea (authoraut) Shinn, Christopher (professor directing thesis) Montgomery, Maxine (committee member) Yancey, Kathleen (committee member) Department of English (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf Within the traditional Christian discourse of love, redemption is most often available through an act of self-sacrifice. This project aims to examine alternate models of redemption within contemporary black women's fiction that both critique, and alleviate the necessity for, a gendered act of self-sacrifice. The collected writings of bell hooks explore an interfaith dialogue between Christianity and Buddhism, which proposes a "worldwide love ethic" that is centered on the assimilation of self and an emerging global community. Gayl Jones' Corregidora critiques the notion of slave redemption through maternity, and blues music opens a space of collective catharsis and salvation. Jones' Song for Anninho creates a space for healing and redemptive love in the face of violence and geographic dislocation by merging African religious beliefs and Afro-Brazilian Candomblé. Similarly, in Gloria Naylor's Mama Day, an alternative to self-sacrifice appears through a merging of masculine and feminine will and desire and a privileging of the natural world through the African American conjure tradition. All of these texts seek to examine how black women progress from fragmentation to wholeness through spirituality, sexuality, and a connection to the global community. A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts. Summer Semester, 2007. May 14, 2007. Sexuality, Gender, Religious Studies, African-American Literature, Women's Studies Includes bibliographical references. Christopher Shinn, Professor Directing Thesis; Maxine Montgomery, Committee Member; Kathleen Yancey, Committee Member. English literature FSU_migr_etd-4533 http://purl.flvc.org/fsu/fd/FSU_migr_etd-4533 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A182643/datastream/TN/view/Right%20Love.jpg |
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Others
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English literature |
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English literature Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction |
description |
Within the traditional Christian discourse of love, redemption is most often available through an act of self-sacrifice. This project aims to examine alternate models of redemption within contemporary black women's fiction that both critique, and alleviate the necessity for, a gendered act of self-sacrifice. The collected writings of bell hooks explore an interfaith dialogue between Christianity and Buddhism, which proposes a "worldwide love ethic" that is centered on the assimilation of self and an emerging global community. Gayl Jones' Corregidora critiques the notion of slave redemption through maternity, and blues music opens a space of collective catharsis and salvation. Jones' Song for Anninho creates a space for healing and redemptive love in the face of violence and geographic dislocation by merging African religious beliefs and Afro-Brazilian Candomblé. Similarly, in Gloria Naylor's Mama Day, an alternative to self-sacrifice appears through a merging of masculine and feminine will and desire and a privileging of the natural world through the African American conjure tradition. All of these texts seek to examine how black women progress from fragmentation to wholeness through spirituality, sexuality, and a connection to the global community. === A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts. === Summer Semester, 2007. === May 14, 2007. === Sexuality, Gender, Religious Studies, African-American Literature, Women's Studies === Includes bibliographical references. === Christopher Shinn, Professor Directing Thesis; Maxine Montgomery, Committee Member; Kathleen Yancey, Committee Member. |
author2 |
Valentine, Tao Alethea (authoraut) |
author_facet |
Valentine, Tao Alethea (authoraut) |
title |
Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction |
title_short |
Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction |
title_full |
Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction |
title_fullStr |
Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction |
title_full_unstemmed |
Right Love: Merging the Theory and Practice of the Heart in Contemporary African-American Women's Fiction |
title_sort |
right love: merging the theory and practice of the heart in contemporary african-american women's fiction |
publisher |
Florida State University |
url |
http://purl.flvc.org/fsu/fd/FSU_migr_etd-4533 |
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1719319395599122432 |