Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch

This project seeks to complicate the ahistorical and binary-oriented treatment of multimodality in contemporary scholarship. I pose the questions: how does multimodality function within the Old English Illustrated Hexateuch, an illuminated manuscript from the eleventh century, and what enlarged pict...

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Other Authors: Bearden, Logan (authoraut)
Format: Others
Language:English
English
Published: Florida State University
Subjects:
Online Access:http://purl.flvc.org/fsu/fd/FSU_migr_etd-4712
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spelling ndltd-fsu.edu-oai-fsu.digital.flvc.org-fsu_1827652020-06-13T03:08:57Z Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch Bearden, Logan (authoraut) Fleckenstein, Kristie S. (professor directing thesis) Treharne, Elaine (committee member) Neal, Michael (committee member) Yancey, Kathleen Blake (committee member) Department of English (degree granting department) Florida State University (degree granting institution) Text text Florida State University Florida State University English eng 1 online resource computer application/pdf This project seeks to complicate the ahistorical and binary-oriented treatment of multimodality in contemporary scholarship. I pose the questions: how does multimodality function within the Old English Illustrated Hexateuch, an illuminated manuscript from the eleventh century, and what enlarged picture of literacy might we gain from such an examination? The answer, my analysis uncovers, is twofold: 1) in the Hexateuch, we see that modes cannot be separated; and 2) the blurring of the semiotic boundaries between modes also blurs the boundary between the Hexateuch and its audience, constituting an embodied literacy. From this analysis, I offer that we nuance our understanding of multimodality from a recent phenomenon to the interplay of interpenetrating literacy tools that are always already working together in any composition. In so doing, we open ourselves up to a more capacious and historical understanding of multimodality and of literacy. A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts. Summer Semester, 2012. June 11, 2012. frame, imageword, Kress, multimodality Includes bibliographical references. Kristie S. Fleckenstein, Professor Directing Thesis; Elaine Treharne, Committee Member; Michael Neal, Committee Member; Kathleen Blake Yancey, Committee Member. English literature America--Literatures Composition (Language arts) FSU_migr_etd-4712 http://purl.flvc.org/fsu/fd/FSU_migr_etd-4712 This Item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s). The copyright in theses and dissertations completed at Florida State University is held by the students who author them. http://diginole.lib.fsu.edu/islandora/object/fsu%3A182765/datastream/TN/view/Historicizing%20Multimodality.jpg
collection NDLTD
language English
English
format Others
sources NDLTD
topic English literature
America--Literatures
Composition (Language arts)
spellingShingle English literature
America--Literatures
Composition (Language arts)
Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch
description This project seeks to complicate the ahistorical and binary-oriented treatment of multimodality in contemporary scholarship. I pose the questions: how does multimodality function within the Old English Illustrated Hexateuch, an illuminated manuscript from the eleventh century, and what enlarged picture of literacy might we gain from such an examination? The answer, my analysis uncovers, is twofold: 1) in the Hexateuch, we see that modes cannot be separated; and 2) the blurring of the semiotic boundaries between modes also blurs the boundary between the Hexateuch and its audience, constituting an embodied literacy. From this analysis, I offer that we nuance our understanding of multimodality from a recent phenomenon to the interplay of interpenetrating literacy tools that are always already working together in any composition. In so doing, we open ourselves up to a more capacious and historical understanding of multimodality and of literacy. === A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Arts. === Summer Semester, 2012. === June 11, 2012. === frame, imageword, Kress, multimodality === Includes bibliographical references. === Kristie S. Fleckenstein, Professor Directing Thesis; Elaine Treharne, Committee Member; Michael Neal, Committee Member; Kathleen Blake Yancey, Committee Member.
author2 Bearden, Logan (authoraut)
author_facet Bearden, Logan (authoraut)
title Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch
title_short Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch
title_full Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch
title_fullStr Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch
title_full_unstemmed Historicizing Multimodality: Medieval Meaning-Making in the Old English Illustrated Hexateuch
title_sort historicizing multimodality: medieval meaning-making in the old english illustrated hexateuch
publisher Florida State University
url http://purl.flvc.org/fsu/fd/FSU_migr_etd-4712
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