I won’t be long

My thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised a...

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Main Author: Mhlambi, Ntombi Kayise Millicent
Format: Others
Language:English
Published: Rhodes University 2018
Online Access:http://hdl.handle.net/10962/63603
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spelling ndltd-netd.ac.za-oai-union.ndltd.org-rhodes-vital-284462018-05-23T04:03:33ZI won’t be longMhlambi, Ntombi Kayise MillicentMy thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised as Salithambo (the pink castle) whose structures and survival preys on their bodies. The stories explore the themes of girlhood and maturation, violence (specifically against women), animality, scatology, time, gender roles and expectations, and their rejection. I draw inspiration, stylistically, from Irenosen Okojie’s depiction of beauty and terror in the same sentence; Selah Saterstrom’s fragmented plot and directorial stroke; Taban Lo Liyong & Amos Tutuola’s avant-gardism and amplification of language; Adania Shibli’s sensorial and spare prose, Lyudmila Petrushevskaya, Lily Hoang & Carol Oates’ normalized magic spell, Athena Villaverde & Espido Freire’s imaginative overload of childhood; Shelley Jackson & Chevisa Woods’ construction of body parts as bearing texts or as texts themselves.Rhodes UniversityFaculty of Humanities, Institute for the Study of English in Africa2018textThesisMastersMA89 leavespdfhttp://hdl.handle.net/10962/63603vital:28446EnglishMhlambi, Ntombi Kayise Millicent
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language English
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description My thesis is a weave of short stories, flash fiction and vignettes of prose-poetry. It uses lyrical, scenic and explorative modes to explore the stories of women, past, present and future, from all walks of life. These women, young and old, struggle to find their way within a ‘world’ characterised as Salithambo (the pink castle) whose structures and survival preys on their bodies. The stories explore the themes of girlhood and maturation, violence (specifically against women), animality, scatology, time, gender roles and expectations, and their rejection. I draw inspiration, stylistically, from Irenosen Okojie’s depiction of beauty and terror in the same sentence; Selah Saterstrom’s fragmented plot and directorial stroke; Taban Lo Liyong & Amos Tutuola’s avant-gardism and amplification of language; Adania Shibli’s sensorial and spare prose, Lyudmila Petrushevskaya, Lily Hoang & Carol Oates’ normalized magic spell, Athena Villaverde & Espido Freire’s imaginative overload of childhood; Shelley Jackson & Chevisa Woods’ construction of body parts as bearing texts or as texts themselves.
author Mhlambi, Ntombi Kayise Millicent
spellingShingle Mhlambi, Ntombi Kayise Millicent
I won’t be long
author_facet Mhlambi, Ntombi Kayise Millicent
author_sort Mhlambi, Ntombi Kayise Millicent
title I won’t be long
title_short I won’t be long
title_full I won’t be long
title_fullStr I won’t be long
title_full_unstemmed I won’t be long
title_sort i won’t be long
publisher Rhodes University
publishDate 2018
url http://hdl.handle.net/10962/63603
work_keys_str_mv AT mhlambintombikayisemillicent iwontbelong
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