Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive
Includes bibliographical references. === South African jazz photography, both as a particular instance of visual history and as a local site for an international photographic genre is largely under-researched. In consequence, its iconic trajectory, with its interconnected sets of specific historical...
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University of Cape Town
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Online Access: | http://hdl.handle.net/11427/11131 |
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ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-111312020-10-06T05:10:49Z Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive Zimmer, Niklas Zaayman, Carine Includes bibliographical references. South African jazz photography, both as a particular instance of visual history and as a local site for an international photographic genre is largely under-researched. In consequence, its iconic trajectory, with its interconnected sets of specific historical and cultural contexts, is still inaccessible to a larger viewership. One of the very few books of South African jazz photography, Beyond the Blues: Township Jazz in the ‘60s and ‘70s, with photographs by Basil Breakey, points to the fractured and traumatic history of South African jazz culture. Complementary to this exists a layered, undisciplinable ‘Konvolut’ of Breakey’s contact sheets and fragments. Forensic-quality digitisation and printing procedures open them up as a ‘superreality’ that contains multitudes of overlapping, inextricable traces social history beyond photographic genre conventions. 2015-01-03T05:41:41Z 2015-01-03T05:41:41Z 2012 Master Thesis Masters MA http://hdl.handle.net/11427/11131 eng application/pdf University of Cape Town Faculty of Humanities Michaelis School of Fine Art |
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NDLTD |
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English |
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Dissertation |
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NDLTD |
description |
Includes bibliographical references. === South African jazz photography, both as a particular instance of visual history and as a local site for an international photographic genre is largely under-researched. In consequence, its iconic trajectory, with its interconnected sets of specific historical and cultural contexts, is still inaccessible to a larger viewership. One of the very few books of South African jazz photography, Beyond the Blues: Township Jazz in the ‘60s and ‘70s, with photographs by Basil Breakey, points to the fractured and traumatic history of South African jazz culture. Complementary to this exists a layered, undisciplinable ‘Konvolut’ of Breakey’s contact sheets and fragments. Forensic-quality digitisation and printing procedures open them up as a ‘superreality’ that contains multitudes of overlapping, inextricable traces social history beyond photographic genre conventions. |
author2 |
Zaayman, Carine |
author_facet |
Zaayman, Carine Zimmer, Niklas |
author |
Zimmer, Niklas |
spellingShingle |
Zimmer, Niklas Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive |
author_sort |
Zimmer, Niklas |
title |
Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive |
title_short |
Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive |
title_full |
Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive |
title_fullStr |
Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive |
title_full_unstemmed |
Jazz contacts : envisaging Basil Breakey's photographic remains beyond the archive |
title_sort |
jazz contacts : envisaging basil breakey's photographic remains beyond the archive |
publisher |
University of Cape Town |
publishDate |
2015 |
url |
http://hdl.handle.net/11427/11131 |
work_keys_str_mv |
AT zimmerniklas jazzcontactsenvisagingbasilbreakeysphotographicremainsbeyondthearchive |
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