Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town
Includes bibliographical references (p. 194-205). === This thesis sets out to develop a framework for the analysis and description of theatre practices evident in selected Cape Town townships during the past six years. Building an account which is both aesthetic and sociological and informed by poli...
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University of Cape Town
2015
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Online Access: | http://hdl.handle.net/11427/11720 |
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ndltd-netd.ac.za-oai-union.ndltd.org-uct-oai-localhost-11427-117202020-07-22T05:07:30Z Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town Morris, Gay Jacklin, Heather Drama Includes bibliographical references (p. 194-205). This thesis sets out to develop a framework for the analysis and description of theatre practices evident in selected Cape Town townships during the past six years. Building an account which is both aesthetic and sociological and informed by political intentions; which considers the whole - the gestalt - and which adopts a located orientation; the study sets out to elucidate the theatre's connections to its locality and local culture, its particular organizational and aesthetic character, its idiosyncrasies and performance strengths, its concerns, and its struggle for distinction within the field of theatre in Cape Town. 2015-01-07T13:41:49Z 2015-01-07T13:41:49Z 2010 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/11720 eng application/pdf University of Cape Town Faculty of Humanities Department of Drama |
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NDLTD |
language |
English |
format |
Doctoral Thesis |
sources |
NDLTD |
topic |
Drama |
spellingShingle |
Drama Morris, Gay Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town |
description |
Includes bibliographical references (p. 194-205). === This thesis sets out to develop a framework for the analysis and description of theatre practices evident in selected Cape Town townships during the past six years. Building an account which is both aesthetic and sociological and informed by political intentions; which considers the whole - the gestalt - and which adopts a located orientation; the study sets out to elucidate the theatre's connections to its locality and local culture, its particular organizational and aesthetic character, its idiosyncrasies and performance strengths, its concerns, and its struggle for distinction within the field of theatre in Cape Town. |
author2 |
Jacklin, Heather |
author_facet |
Jacklin, Heather Morris, Gay |
author |
Morris, Gay |
author_sort |
Morris, Gay |
title |
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town |
title_short |
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town |
title_full |
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town |
title_fullStr |
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town |
title_full_unstemmed |
Own-made in the (post-)new South Africa : a study of theatre originating from selected townships in the vicinity of Cape Town |
title_sort |
own-made in the (post-)new south africa : a study of theatre originating from selected townships in the vicinity of cape town |
publisher |
University of Cape Town |
publishDate |
2015 |
url |
http://hdl.handle.net/11427/11720 |
work_keys_str_mv |
AT morrisgay ownmadeinthepostnewsouthafricaastudyoftheatreoriginatingfromselectedtownshipsinthevicinityofcapetown |
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1719330032589996032 |