A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats
M.A.(Media Studies), Faculty of Humanities, University of the Witwatersrand, 2009 === This research will critically analyse “conscious” hip-hop music and the way in which it contests media and mainstream ideas in the media. Conscious hip-hop refers to rap music that critically engages with hegemon...
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2009
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| Online Access: | http://hdl.handle.net/10539/7340 |
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ndltd-netd.ac.za-oai-union.ndltd.org-wits-oai-wiredspace.wits.ac.za-10539-73402019-05-11T03:40:58Z A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats Marco, Derilene media representations hip-hop gender race M.A.(Media Studies), Faculty of Humanities, University of the Witwatersrand, 2009 This research will critically analyse “conscious” hip-hop music and the way in which it contests media and mainstream ideas in the media. Conscious hip-hop refers to rap music that critically engages with hegemonic discourses and popular culture. It is framed and named in this manner by both the performers/ artists themselves as well as by leading hip-hop scholars within South Africa and globally. This research uses the music of Godessa and Brasse Vannie Kaap to interrogate representations of Black identities and gender in society. 2009-10-08T10:29:44Z 2009-10-08T10:29:44Z 2009-10-08T10:29:44Z Thesis http://hdl.handle.net/10539/7340 en application/pdf |
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NDLTD |
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en |
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Others
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NDLTD |
| topic |
media representations hip-hop gender race |
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media representations hip-hop gender race Marco, Derilene A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| description |
M.A.(Media Studies), Faculty of Humanities, University of the Witwatersrand, 2009 === This research will critically analyse “conscious” hip-hop music and the way in
which it contests media and mainstream ideas in the media. Conscious hip-hop
refers to rap music that critically engages with hegemonic discourses and
popular culture. It is framed and named in this manner by both the performers/
artists themselves as well as by leading hip-hop scholars within South Africa and
globally. This research uses the music of Godessa and Brasse Vannie Kaap to
interrogate representations of Black identities and gender in society. |
| author |
Marco, Derilene |
| author_facet |
Marco, Derilene |
| author_sort |
Marco, Derilene |
| title |
A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| title_short |
A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| title_full |
A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| title_fullStr |
A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| title_full_unstemmed |
A 'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| title_sort |
'coloured' history, a black future: contesting the dominant representations in the media through hip-hop beats |
| publishDate |
2009 |
| url |
http://hdl.handle.net/10539/7340 |
| work_keys_str_mv |
AT marcoderilene acolouredhistoryablackfuturecontestingthedominantrepresentationsinthemediathroughhiphopbeats AT marcoderilene colouredhistoryablackfuturecontestingthedominantrepresentationsinthemediathroughhiphopbeats |
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