Tragédie a její možnosti v současném světě

The composition deals with the question whether tragedy as dramatic genre is possible in contemporary world. In the first part it summarises the history of theoretical thought about the genre from the beginnings in Greek antiquity until present and hence tries to deduce a "common theory" o...

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Main Author: Tošovský, Jan
Other Authors: Ullrichová, Daria
Format: Dissertation
Language:Czech
Published: Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2008
Online Access:http://www.nusl.cz/ntk/nusl-78127
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spelling ndltd-nusl.cz-oai-invenio.nusl.cz-781272018-10-04T07:34:37Z Tragédie a její možnosti v současném světě Tragedy and its possibilities in contemporary world Tošovský, Jan Ullrichová, Daria Korčák, Jakub The composition deals with the question whether tragedy as dramatic genre is possible in contemporary world. In the first part it summarises the history of theoretical thought about the genre from the beginnings in Greek antiquity until present and hence tries to deduce a "common theory" of tragedy, viable in the context of contemporary world. Special attention is paid to the work of Georg Lukács, a pertinent critic of modern drama. The second part examines the world(s) in which tragedy was growing naturally, i. e. preeminently antique Athens and Elizabethan England, and notices several structural coincidences in the historical periods in question. Subsequently it tries to discern such structures in the contemporary world and hence deduce whether the character of our world is compatible with the development of authentic tragedy. Doing this, it uses as key notions the "tragical life feeling" and the "myth" comprehended in broad sense as dynamically conflicting constants of human understanding of the world and attitude towards it. Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2008 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-78127 cze info:eu-repo/semantics/restrictedAccess
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language Czech
format Dissertation
sources NDLTD
description The composition deals with the question whether tragedy as dramatic genre is possible in contemporary world. In the first part it summarises the history of theoretical thought about the genre from the beginnings in Greek antiquity until present and hence tries to deduce a "common theory" of tragedy, viable in the context of contemporary world. Special attention is paid to the work of Georg Lukács, a pertinent critic of modern drama. The second part examines the world(s) in which tragedy was growing naturally, i. e. preeminently antique Athens and Elizabethan England, and notices several structural coincidences in the historical periods in question. Subsequently it tries to discern such structures in the contemporary world and hence deduce whether the character of our world is compatible with the development of authentic tragedy. Doing this, it uses as key notions the "tragical life feeling" and the "myth" comprehended in broad sense as dynamically conflicting constants of human understanding of the world and attitude towards it.
author2 Ullrichová, Daria
author_facet Ullrichová, Daria
Tošovský, Jan
author Tošovský, Jan
spellingShingle Tošovský, Jan
Tragédie a její možnosti v současném světě
author_sort Tošovský, Jan
title Tragédie a její možnosti v současném světě
title_short Tragédie a její možnosti v současném světě
title_full Tragédie a její možnosti v současném světě
title_fullStr Tragédie a její možnosti v současném světě
title_full_unstemmed Tragédie a její možnosti v současném světě
title_sort tragédie a její možnosti v současném světě
publisher Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna
publishDate 2008
url http://www.nusl.cz/ntk/nusl-78127
work_keys_str_mv AT tosovskyjan tragedieajejimoznostivsoucasnemsvete
AT tosovskyjan tragedyanditspossibilitiesincontemporaryworld
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