Režisérův herec - hercův režisér

I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types...

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Bibliographic Details
Main Author: Vagnerová, Hana
Other Authors: Hlavica, Lukáš
Format: Dissertation
Language:Czech
Published: Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2007
Online Access:http://www.nusl.cz/ntk/nusl-78630
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spelling ndltd-nusl.cz-oai-invenio.nusl.cz-786302018-10-04T07:38:36Z Režisérův herec - hercův režisér Director´s actor - actor´s director Vagnerová, Hana Hlavica, Lukáš Horanský, Miloš I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types of directors: director ? stage manager and actors´ director; as a special case of actors´ director I present director ? actor. In the second part of my diploma work I present concrete examples types mentioned above; it is based on my personal experience taken from my praxis up to now. I deal with Thomas Zielinski and his staging of Streetcar named Desire as an example of director ? stage manager, Ján Šimko in rehearsing Bedbound as an example of actors´ director and Ondřej Pavelka as a director- actor in rehearsing Faust. I try to review my acknowledgments from theory and praxis in the end of my work. Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2007 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-78630 cze info:eu-repo/semantics/restrictedAccess
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language Czech
format Dissertation
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description I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types of directors: director ? stage manager and actors´ director; as a special case of actors´ director I present director ? actor. In the second part of my diploma work I present concrete examples types mentioned above; it is based on my personal experience taken from my praxis up to now. I deal with Thomas Zielinski and his staging of Streetcar named Desire as an example of director ? stage manager, Ján Šimko in rehearsing Bedbound as an example of actors´ director and Ondřej Pavelka as a director- actor in rehearsing Faust. I try to review my acknowledgments from theory and praxis in the end of my work.
author2 Hlavica, Lukáš
author_facet Hlavica, Lukáš
Vagnerová, Hana
author Vagnerová, Hana
spellingShingle Vagnerová, Hana
Režisérův herec - hercův režisér
author_sort Vagnerová, Hana
title Režisérův herec - hercův režisér
title_short Režisérův herec - hercův režisér
title_full Režisérův herec - hercův režisér
title_fullStr Režisérův herec - hercův režisér
title_full_unstemmed Režisérův herec - hercův režisér
title_sort režisérův herec - hercův režisér
publisher Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna
publishDate 2007
url http://www.nusl.cz/ntk/nusl-78630
work_keys_str_mv AT vagnerovahana reziseruvherechercuvreziser
AT vagnerovahana directorsactoractorsdirector
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