Režisérův herec - hercův režisér
I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types...
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Format: | Dissertation |
Language: | Czech |
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Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna
2007
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Online Access: | http://www.nusl.cz/ntk/nusl-78630 |
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ndltd-nusl.cz-oai-invenio.nusl.cz-786302018-10-04T07:38:36Z Režisérův herec - hercův režisér Director´s actor - actor´s director Vagnerová, Hana Hlavica, Lukáš Horanský, Miloš I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types of directors: director ? stage manager and actors´ director; as a special case of actors´ director I present director ? actor. In the second part of my diploma work I present concrete examples types mentioned above; it is based on my personal experience taken from my praxis up to now. I deal with Thomas Zielinski and his staging of Streetcar named Desire as an example of director ? stage manager, Ján Šimko in rehearsing Bedbound as an example of actors´ director and Ondřej Pavelka as a director- actor in rehearsing Faust. I try to review my acknowledgments from theory and praxis in the end of my work. Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna 2007 info:eu-repo/semantics/masterThesis http://www.nusl.cz/ntk/nusl-78630 cze info:eu-repo/semantics/restrictedAccess |
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Czech |
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Dissertation |
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description |
I deal with the relationship of the actor and director in my diploma work. First I try to describe some types of directors according to their work with actors and rehearsing with them during staging. I endeavour after a short view of theory of this problem. Then I try to describe two different types of directors: director ? stage manager and actors´ director; as a special case of actors´ director I present director ? actor.
In the second part of my diploma work I present concrete examples types mentioned above; it is based on my personal experience taken from my praxis up to now. I deal with Thomas Zielinski and his staging of Streetcar named Desire as an example of director ? stage manager, Ján Šimko in rehearsing Bedbound as an example of actors´ director and Ondřej Pavelka as a director- actor in rehearsing Faust. I try to review my acknowledgments from theory and praxis in the end of my work. |
author2 |
Hlavica, Lukáš |
author_facet |
Hlavica, Lukáš Vagnerová, Hana |
author |
Vagnerová, Hana |
spellingShingle |
Vagnerová, Hana Režisérův herec - hercův režisér |
author_sort |
Vagnerová, Hana |
title |
Režisérův herec - hercův režisér |
title_short |
Režisérův herec - hercův režisér |
title_full |
Režisérův herec - hercův režisér |
title_fullStr |
Režisérův herec - hercův režisér |
title_full_unstemmed |
Režisérův herec - hercův režisér |
title_sort |
režisérův herec - hercův režisér |
publisher |
Akademie múzických umění v Praze. Divadelní fakulta AMU. Knihovna |
publishDate |
2007 |
url |
http://www.nusl.cz/ntk/nusl-78630 |
work_keys_str_mv |
AT vagnerovahana reziseruvherechercuvreziser AT vagnerovahana directorsactoractorsdirector |
_version_ |
1718761462702276608 |