| Summary: | In my thesis, I focus on the history and evolution of the singspiel musical form on one hand, on the other hand I also analyze the particular singspiels of W.A.Mozart that follow his opery works since his childhood until the last year of his life. These include the singspiels from his early period such as Bastien und Bastienne, Zaide, Der Schauspieldirektor and also the works Die Entführung aus dem Serial and Die Zauberflöte. I try see these works from different angles: from historical and evolutionary point of view, considering the libretto and the literary theme, dramatic form and the storyline.
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