| Summary: | The interpretation of the fundamental clarinet concertos of the 2Oth century in their aesthetic uniqueness and mutability? is dealing with the four most important concertos of the 20 century era: Carl Nielsen ? Concerto for clarinet and orchestra Op. 57 (1928), Aaron Copland - Concerto for clarinet, string orchestra with harp and piano (1948) Jean Francaix ? Concerto for clarinet and orchestra (1967), Jorge Calandrelli ? Concerto for jazz clarinet and orchestra (1986). The thesis deals not only with the genesis of the compositions itself, but mainly the technically most problematic passages of the concertos, from the practical interpretation point of view. It also contains the list of mistakes in the full score and the clarinet part of the compositions.
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