The Genesis and Development of "Parker's Back"

”Parker’s Back” is the last short story Flannery O'Connor wrote before the ravaging disease Lupus took her life in August of 1964. When Caroline Gordon visited her “in a hospital a few weeks before her death,” she spoke of her concern about finishing it. “She told me that the doctor had forbidd...

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Main Author: Brewer, Kara Pratt
Format: Others
Published: Scholarly Commons 1976
Subjects:
Online Access:https://scholarlycommons.pacific.edu/uop_etds/3201
https://scholarlycommons.pacific.edu/cgi/viewcontent.cgi?article=4168&context=uop_etds
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spelling ndltd-pacific.edu-oai-scholarlycommons.pacific.edu-uop_etds-41682021-10-05T05:13:26Z The Genesis and Development of "Parker's Back" Brewer, Kara Pratt ”Parker’s Back” is the last short story Flannery O'Connor wrote before the ravaging disease Lupus took her life in August of 1964. When Caroline Gordon visited her “in a hospital a few weeks before her death,” she spoke of her concern about finishing it. “She told me that the doctor had forbidden her to do any work. He said that it was all right to write a little friction, though, she added with a grin and drew a notebook from under her pillow. She kept it there she told me and was trying to finish a story which she hoped to include in the volume which we both knew would be published posthumously.” The story was “Parker’s Back,” and it was, indeed, published after her death: initially in Esquire magazine (April, 1965) and later that same year in Everything that Rises Must Converge. Genetic criticism, then, can serve as an invaluable critical tool, and it reveals something of the author herself and her intentions; furthermore, it illumines the imaginative development of the story, the ways in which alterations in the form and content led to meaning. Disciplined effort and the creative process itself transformed the crudity of the early drafts of “Parker’s Back” to the art of the final version. For the critic who has been intrigued at the seeming “ease” with which she communicates the vagaries of man’s relationships with ultimate goodness and evil, fascination lies in following the path along which her imagination led her. Like the hound dog to which she likened herself once, we too can “follow the scent.” And if as she said, “It’s the wrong scent and you stop and go back,” in the manuscripts one can pursue the story’s trail on its winding way to its final telling. 1976-01-01T08:00:00Z text application/pdf https://scholarlycommons.pacific.edu/uop_etds/3201 https://scholarlycommons.pacific.edu/cgi/viewcontent.cgi?article=4168&context=uop_etds University of the Pacific Theses and Dissertations Scholarly Commons Literature Language literature and linguistics Arts and Humanities English Language and Literature
collection NDLTD
format Others
sources NDLTD
topic Literature
Language
literature and linguistics
Arts and Humanities
English Language and Literature
spellingShingle Literature
Language
literature and linguistics
Arts and Humanities
English Language and Literature
Brewer, Kara Pratt
The Genesis and Development of "Parker's Back"
description ”Parker’s Back” is the last short story Flannery O'Connor wrote before the ravaging disease Lupus took her life in August of 1964. When Caroline Gordon visited her “in a hospital a few weeks before her death,” she spoke of her concern about finishing it. “She told me that the doctor had forbidden her to do any work. He said that it was all right to write a little friction, though, she added with a grin and drew a notebook from under her pillow. She kept it there she told me and was trying to finish a story which she hoped to include in the volume which we both knew would be published posthumously.” The story was “Parker’s Back,” and it was, indeed, published after her death: initially in Esquire magazine (April, 1965) and later that same year in Everything that Rises Must Converge. Genetic criticism, then, can serve as an invaluable critical tool, and it reveals something of the author herself and her intentions; furthermore, it illumines the imaginative development of the story, the ways in which alterations in the form and content led to meaning. Disciplined effort and the creative process itself transformed the crudity of the early drafts of “Parker’s Back” to the art of the final version. For the critic who has been intrigued at the seeming “ease” with which she communicates the vagaries of man’s relationships with ultimate goodness and evil, fascination lies in following the path along which her imagination led her. Like the hound dog to which she likened herself once, we too can “follow the scent.” And if as she said, “It’s the wrong scent and you stop and go back,” in the manuscripts one can pursue the story’s trail on its winding way to its final telling.
author Brewer, Kara Pratt
author_facet Brewer, Kara Pratt
author_sort Brewer, Kara Pratt
title The Genesis and Development of "Parker's Back"
title_short The Genesis and Development of "Parker's Back"
title_full The Genesis and Development of "Parker's Back"
title_fullStr The Genesis and Development of "Parker's Back"
title_full_unstemmed The Genesis and Development of "Parker's Back"
title_sort genesis and development of "parker's back"
publisher Scholarly Commons
publishDate 1976
url https://scholarlycommons.pacific.edu/uop_etds/3201
https://scholarlycommons.pacific.edu/cgi/viewcontent.cgi?article=4168&context=uop_etds
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