The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop

The relationship between authors and readers has been heavily studied in western literatures since the shift between the spoken-subject lost its privileged position to the written author. The struggle for who determines truth has formed a specific dialect that requires either the author or the reade...

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Bibliographic Details
Main Author: Del Hierro, Victor J
Other Authors: Griffin, Robert
Format: Others
Language:en
Published: 2013
Subjects:
Rap
Online Access:http://hdl.handle.net/1969.1/151267
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spelling ndltd-tamu.edu-oai-repository.tamu.edu-1969.1-1512672013-12-18T03:55:24ZThe Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip HopDel Hierro, Victor JHip-hopAuthorshipReadershipRappersRapCipherLiteracyRhetoricThe relationship between authors and readers has been heavily studied in western literatures since the shift between the spoken-subject lost its privileged position to the written author. The struggle for who determines truth has formed a specific dialect that requires either the author or the reader to be silent. Since the acceptance of literary theories like the “death of the author” and “author-function,” we continue to map these concepts on to similar relationships and discourses. Hip-hop culture defies this dialect, instead, based around the concept of the cipher, hip-hop insists on a constant inclusive discourse. Based in African-American traditions of call-and-response, hip-hop is always looking for voices to speak to each other and push the conversation further. In my thesis, I open up an exploration of the role of an author in hip-hop. Paying specific attention to the rapper, I flesh out the ways western ideas of reading conflate and disrupt the structures of a cipher in hip-hop. Imposing an “author-function” on rappers, displaces the call-and-response relationship that hip-hop thrives on. While hip-hop becomes more prevalent in popular culture, rappers have to learn to navigate within and outside of the immediate hip-hop community. As a case study, I examine the career trajectory of Jay Z. Sean Carter employs the site of enunciation that Jay Z creates to transcend and transform his experiences into a platform for creative expressions as well as lucrative business ventures. Finally, this thesis serves as an initial inquiry into future research plans to explore rappers as nepantler@s and listeners as “digital griots.” Both of these designations represents important rhetorical spaces that allow hip-hop culture to continue to work within a cipher and promote inclusivity. These future plans build towards creating a possible model for more productive collaboration, education, and activism.Griffin, RobertMandell, LauraHinojosa, Felipe2013-12-16T20:10:36Z2013-082013-07-22August 20132013-12-16T20:10:37ZThesistextapplication/pdfhttp://hdl.handle.net/1969.1/151267en
collection NDLTD
language en
format Others
sources NDLTD
topic Hip-hop
Authorship
Readership
Rappers
Rap
Cipher
Literacy
Rhetoric
spellingShingle Hip-hop
Authorship
Readership
Rappers
Rap
Cipher
Literacy
Rhetoric
Del Hierro, Victor J
The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop
description The relationship between authors and readers has been heavily studied in western literatures since the shift between the spoken-subject lost its privileged position to the written author. The struggle for who determines truth has formed a specific dialect that requires either the author or the reader to be silent. Since the acceptance of literary theories like the “death of the author” and “author-function,” we continue to map these concepts on to similar relationships and discourses. Hip-hop culture defies this dialect, instead, based around the concept of the cipher, hip-hop insists on a constant inclusive discourse. Based in African-American traditions of call-and-response, hip-hop is always looking for voices to speak to each other and push the conversation further. In my thesis, I open up an exploration of the role of an author in hip-hop. Paying specific attention to the rapper, I flesh out the ways western ideas of reading conflate and disrupt the structures of a cipher in hip-hop. Imposing an “author-function” on rappers, displaces the call-and-response relationship that hip-hop thrives on. While hip-hop becomes more prevalent in popular culture, rappers have to learn to navigate within and outside of the immediate hip-hop community. As a case study, I examine the career trajectory of Jay Z. Sean Carter employs the site of enunciation that Jay Z creates to transcend and transform his experiences into a platform for creative expressions as well as lucrative business ventures. Finally, this thesis serves as an initial inquiry into future research plans to explore rappers as nepantler@s and listeners as “digital griots.” Both of these designations represents important rhetorical spaces that allow hip-hop culture to continue to work within a cipher and promote inclusivity. These future plans build towards creating a possible model for more productive collaboration, education, and activism.
author2 Griffin, Robert
author_facet Griffin, Robert
Del Hierro, Victor J
author Del Hierro, Victor J
author_sort Del Hierro, Victor J
title The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop
title_short The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop
title_full The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop
title_fullStr The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop
title_full_unstemmed The Emcee's Site of Enunciation: Exploring the Dialectic Between Authorship and Readership in Hip Hop
title_sort emcee's site of enunciation: exploring the dialectic between authorship and readership in hip hop
publishDate 2013
url http://hdl.handle.net/1969.1/151267
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