A critical edition of Johann Christoph Schultze’s Six sonatas for two flutes without basso and a chaconne for two equal voices in canon
By the eighteenth century, the business of music publishing in Europe had exploded. Europe had become more culturally international, and interest in purchasing and performing music written by foreign composers was in vogue. Unfortunately laws governing copyright and editing of music were either diff...
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| Language: | English |
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University of Iowa
2015
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| Online Access: | https://ir.uiowa.edu/etd/1578 https://ir.uiowa.edu/cgi/viewcontent.cgi?article=5630&context=etd |