Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry

My research explores the concept of visual art as a form of critical inquiry and the gallery as a site for critical dialogue and social change. I argue that art galleries can be spaces of change and can be used to mount a critique of contemporary society’s dominant narrative of neoliberalism that is...

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Bibliographic Details
Main Author: Marsden, Scott Kerwin
Other Authors: Emme, Michael J.
Language:English
en
Published: 2015
Subjects:
Online Access:http://hdl.handle.net/1828/6965
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spelling ndltd-uvic.ca-oai-dspace.library.uvic.ca-1828-69652015-12-24T16:55:00Z Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry Marsden, Scott Kerwin Emme, Michael J. Visual art Insurgent curator Public art galleries Dialogue Creative inquiry My research explores the concept of visual art as a form of critical inquiry and the gallery as a site for critical dialogue and social change. I argue that art galleries can be spaces of change and can be used to mount a critique of contemporary society’s dominant narrative of neoliberalism that is being incorporated into our public and private lives. Art galleries are public spheres for civil society that offer citizens opportunities to engage in debate on contemporary issues, where we can expose ourselves to new ideas, stimulate our minds, and explore other ways of knowing and becoming agents of change. My investigation takes the form of researching, developing, and presenting an exhibition of selected photographs as part of the exhibition, Open Conversations. This exhibition explored the art practice of Canadian photographers Carole Condé and Karl Beveridge, who have developed an artistic process that involves direct collaboration in the production of art employing a participatory, socially engaged framework. I claim the role of “insurgent curator” (a person who challenges the current state of affairs) through my attempt to locate my inquiry within my current praxis as curator, that is, within a critical form of creative inquiry. As an insurgent curator, I attempt to insert alternative histories and perspectives in a public art gallery as a means of offering different ways of knowing contemporary society. The concept of critical inquiry and the use of dialogical aesthetics underlie my concept of insurgent curatorial practice. I propose that the use of dialogue has important implications in helping to situate art galleries as public spaces that invite participation, dialogue, and community, and thereby have a profound impact on visitors’ meaning making. Through the use of critical creative inquiry, I ask how this research can generate individual transformation and help create progressive forms of social action. Graduate scottmarsden@haidagwaii.ca 2015-12-21T18:40:31Z 2015-12-21T18:40:31Z 2015 2015-12-21 Thesis http://hdl.handle.net/1828/6965 English en Available to the World Wide Web http://creativecommons.org/licenses/by-nc-nd/2.5/ca/
collection NDLTD
language English
en
sources NDLTD
topic Visual art
Insurgent curator
Public art galleries
Dialogue
Creative inquiry
spellingShingle Visual art
Insurgent curator
Public art galleries
Dialogue
Creative inquiry
Marsden, Scott Kerwin
Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry
description My research explores the concept of visual art as a form of critical inquiry and the gallery as a site for critical dialogue and social change. I argue that art galleries can be spaces of change and can be used to mount a critique of contemporary society’s dominant narrative of neoliberalism that is being incorporated into our public and private lives. Art galleries are public spheres for civil society that offer citizens opportunities to engage in debate on contemporary issues, where we can expose ourselves to new ideas, stimulate our minds, and explore other ways of knowing and becoming agents of change. My investigation takes the form of researching, developing, and presenting an exhibition of selected photographs as part of the exhibition, Open Conversations. This exhibition explored the art practice of Canadian photographers Carole Condé and Karl Beveridge, who have developed an artistic process that involves direct collaboration in the production of art employing a participatory, socially engaged framework. I claim the role of “insurgent curator” (a person who challenges the current state of affairs) through my attempt to locate my inquiry within my current praxis as curator, that is, within a critical form of creative inquiry. As an insurgent curator, I attempt to insert alternative histories and perspectives in a public art gallery as a means of offering different ways of knowing contemporary society. The concept of critical inquiry and the use of dialogical aesthetics underlie my concept of insurgent curatorial practice. I propose that the use of dialogue has important implications in helping to situate art galleries as public spaces that invite participation, dialogue, and community, and thereby have a profound impact on visitors’ meaning making. Through the use of critical creative inquiry, I ask how this research can generate individual transformation and help create progressive forms of social action. === Graduate === scottmarsden@haidagwaii.ca
author2 Emme, Michael J.
author_facet Emme, Michael J.
Marsden, Scott Kerwin
author Marsden, Scott Kerwin
author_sort Marsden, Scott Kerwin
title Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry
title_short Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry
title_full Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry
title_fullStr Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry
title_full_unstemmed Putting the Public in Public Art Galleries: The Insurgent Curator and Visual Art as Critical Form of Creative Inquiry
title_sort putting the public in public art galleries: the insurgent curator and visual art as critical form of creative inquiry
publishDate 2015
url http://hdl.handle.net/1828/6965
work_keys_str_mv AT marsdenscottkerwin puttingthepublicinpublicartgalleriestheinsurgentcuratorandvisualartascriticalformofcreativeinquiry
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