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01510naaaa2200325uu 4500 |
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30788 |
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20180124 |
| 020 |
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|a 10.24415/9789087282240
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| 020 |
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|a 9789087282967
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| 024 |
7 |
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|a doi.org/10.24415/9789087282240
|c doi
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| 041 |
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|h English
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| 042 |
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|a dc
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| 100 |
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|a Rahimi Bahmany, Leila
|e auth
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| 245 |
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|a Mirrors of Entrapment and Emancipation : Forugh Farrokhzad and Sylvia Plath
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| 260 |
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|a Leiden
|b Leiden University Press
|c 20150301
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| 856 |
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|z Get fulltext
|u http://library.oapen.org/handle/20.500.12657/30788
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0 |
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|a Open Access
|2 star
|f Unrestricted online access
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|a Mirrors of Entrapment and Emancipation explores the rich diversity of the meanings associated with the mirror and reflection in literature by women on the basis of the works of the Persian Forugh Farrokhzad (1935-1967) and her American contemporary Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of twentieth-century womanhood.
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| 536 |
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|a Knowledge Unlatched
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| 540 |
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|a Creative Commons
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| 546 |
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|a English
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| 650 |
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|a Literary studies: poetry & poets
|2 bicssc
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|a Literature
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| 653 |
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|a God
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|a Metaphor
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|a Mirror image
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|a Narcissism
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| 653 |
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|a Sigmund Freud
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| 653 |
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|a Stanza
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|a Sylvia Plath
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