Time in Music and Culture
From Aristotle to Heidegger, philosophers distinguished two orders of time, before, after and past, present, future, presenting them in a wide range of interpretations. It was only around the turn of the 1970s that two theories of time which deliberately went beyond that tradition, enhancing our not...
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Format: | eBook |
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Bern
Peter Lang International Academic Publishers
2020
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Online Access: | Get fulltext |
LEADER | 02600naaaa2200541uu 4500 | ||
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001 | 50113 | ||
005 | 20210715 | ||
020 | |a b15917 | ||
020 | |a 9783631791226 | ||
020 | |a 9783631791233 | ||
020 | |a 9783631791240 | ||
020 | |a 9783631790618 | ||
024 | 7 | |a 10.3726/b15917 |c doi | |
041 | 0 | |h English | |
042 | |a dc | ||
100 | 1 | |a Bielawski, Ludwik |e auth | |
245 | 1 | 0 | |a Time in Music and Culture |
260 | |a Bern |b Peter Lang International Academic Publishers |c 2020 | ||
300 | |a 1 electronic resource (406 p.) | ||
856 | |z Get fulltext |u https://library.oapen.org/handle/20.500.12657/50113 | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a From Aristotle to Heidegger, philosophers distinguished two orders of time, before, after and past, present, future, presenting them in a wide range of interpretations. It was only around the turn of the 1970s that two theories of time which deliberately went beyond that tradition, enhancing our notional apparatus, were produced independently of one another. The nature philosopher Julius T. Fraser, founder of the interdisciplinary International Society for the Study of Time, distinguished temporal levels in the evolution of the Cosmos and the structure of the human mind: atemporality,prototemporality,eotemporality,biotemporality andnootemporality. The author of the book distinguishes two 'dimensions' in time: the dimension of the sequence of time (syntagmatic) and the dimension of the sizes of duration or frequency (systemic). On the systemic scale, the author distinguishes, in human ways of existing and acting, a visual zone, zone of the psychological present, zone of works and performances, zone of the natural and cultural environment, zone of individual and social life and zone of history, myth and tradition. In this book, the author provides a synthesis of these theories. | ||
540 | |a Creative Commons | ||
546 | |a English | ||
650 | 7 | |a Theory of music & musicology |2 bicssc | |
650 | 7 | |a Folk & traditional music |2 bicssc | |
650 | 7 | |a Philosophy |2 bicssc | |
650 | 7 | |a Social & cultural anthropology, ethnography |2 bicssc | |
653 | |a 2015 | ||
653 | |a Akademii | ||
653 | |a Bielawski | ||
653 | |a Culture | ||
653 | |a Czas | ||
653 | |a Folk Music | ||
653 | |a Instytut | ||
653 | |a kulturze | ||
653 | |a Music | ||
653 | |a muzyce | ||
653 | |a Nauk | ||
653 | |a Polskiej | ||
653 | |a Psychological Present | ||
653 | |a Space | ||
653 | |a Sztuki | ||
653 | |a Temporality | ||
653 | |a Time | ||
653 | |a Time Zones | ||
653 | |a Warszawa | ||
653 | |a Zonality |