The digital reconstruction of leonardo’s library: Revealing formal patterns in early modern thought

The present article combines an individual, object-based approach with digital technologies with the aim to define the relation of verbal and visual inscriptions in Leonardo da Vinci’s technical-scientific and literary-artistic works. By conducting a comparative analysis of Leonardo’s folios featuri...

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Bibliographic Details
Main Author: Cirnigliaro, G. (Author)
Format: Article
Language:English
Published: Indiana University Libraries 2019
Subjects:
Online Access:View Fulltext in Publisher
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020 |a 25741748 (ISSN) 
245 1 0 |a The digital reconstruction of leonardo’s library: Revealing formal patterns in early modern thought 
260 0 |b Indiana University Libraries  |c 2019 
856 |z View Fulltext in Publisher  |u https://doi.org/10.14434/sdh.v3i2.27719 
520 3 |a The present article combines an individual, object-based approach with digital technologies with the aim to define the relation of verbal and visual inscriptions in Leonardo da Vinci’s technical-scientific and literary-artistic works. By conducting a comparative analysis of Leonardo’s folios featuring fables, emblems, and engineering projects, I identify the archetypes of this interaction in the books contained in his personal library and examine the convergence of his use of empirical, diagrammatic, and pictorial strategies toward the investigation of nature. The material component of this study consists in a series of analytical drawing tables which examine recurrent patterns, and textual and visual connections in Leonardo’s manuscripts. The identified patterns are subsequently cataloged and examined through the web-publishing platform “LILeo” created in collaboration with the Rutgers Digital Humanities Laboratory as part of my dissertation project. By digitally highlighting the interaction of elements on the space of the page, and enabling the layering of drafts belonging to similar projects in Leonardo’s works and sources, this study traces the formal patterns of the artist’s analytical thinking in order to uncover the origins of his interdisciplinary research. © [2019] by the author; licensee Studies in Digital Heritage, IU, Bloomington (IN), USA. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution License (CC BY-NC). 
650 0 4 |a Digital Exhibits 
650 0 4 |a Early Modern Word-and-Image 
650 0 4 |a Fables and Emblems 
650 0 4 |a Leonardo da Vinci 
650 0 4 |a Scientific Diagrams 
700 1 |a Cirnigliaro, G.  |e author 
773 |t Studies in Digital Heritage