A thing about machines: Eça de queirós’s technological twilight zone

By reconstructing the acts and voices of technological artifacts in A cidade e as serras (1901), this paper outlines what I call Eça de Queirós’s technological “twilight zone,” where machines are granted literary citizenship, and human interlocutors are forced to reevaluate who and what counts as...

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Bibliographic Details
Main Author: Ilievska, A. (Author)
Format: Article
Language:English
Published: American Portuguese Studies Association 2019
Subjects:
Online Access:View Fulltext in Publisher
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245 1 0 |a A thing about machines: Eça de queirós’s technological twilight zone 
260 0 |b American Portuguese Studies Association  |c 2019 
856 |z View Fulltext in Publisher  |u https://doi.org/10.21471/jls.v4i2.245 
520 3 |a By reconstructing the acts and voices of technological artifacts in A cidade e as serras (1901), this paper outlines what I call Eça de Queirós’s technological “twilight zone,” where machines are granted literary citizenship, and human interlocutors are forced to reevaluate who and what counts as humanity and conversation. I argue that the unresponsiveness of technological artifacts to the human voice in A cidade e as serras reveals a process of destabilization of power hierarchies and vocal anthropocentrism. Eça neither demonizes nor glorifies machines; rather he elaborates ways in which productive coexistence and communication can remain a prime objective. In A cidade e as serras, Eça parses out anxieties about technology and modernity in subtle and balanced ways that can shed new light on enduring questions about human-machine interactions in our era of technological dependence. © 2019, American Portuguese Studies Association. All rights reserved. 
650 0 4 |a A cidade e as serras 
650 0 4 |a Artifacts 
650 0 4 |a Noise 
650 0 4 |a Portuguese novel 
650 0 4 |a Voice 
700 1 |a Ilievska, A.  |e author 
773 |t Journal of Lusophone Studies