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01310nam a2200205Ia 4500 |
| 001 |
10.5565-rev-athenea.2994 |
| 008 |
220510s2022 CNT 000 0 und d |
| 020 |
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|a 15788946 (ISSN)
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| 245 |
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|a THE PLANTATION IN APOCALYPSE NOW REDUX. SURVIVALS AND HISTORICAL TRANSFORMATIONS OF A GENRE
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| 260 |
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|b Universitat Autonoma de Barcelona
|c 2022
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| 856 |
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|z View Fulltext in Publisher
|u https://doi.org/10.5565/rev/athenea.2994
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|a This article explores the recovery of a fundamental genre of American cultural history, “the Plantation Novel”, in the sequence of Francis Ford Coppola's new cut of Apocalypse Now Redux (2001). By ironically reclaiming some of its commonplaces, Coppola succeeds in attributing new significance to the end of the Vietnam War, an event that had great significance in recent American history. Using the tools of the semiotics of culture, the analysis also aims to elaborate an analytical framework to describe the functionality that this operation of reviving genres from the past can have for the historical present. © 2022. All Rights Reserved.
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|a Apocalypse Now Redux
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|a Historia
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| 650 |
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|a History
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|a Plantation Tradition
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| 650 |
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|a Semiótica
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| 650 |
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|a Semiotics
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| 700 |
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|a González, R.
|e author
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| 773 |
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|t Athenea Digital
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