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  1. 1
    Repertory and rivalry : opera and the Second Covent Garden Theatre, 1830-56
    by Dideriksen, Gabriella
    Published 1997
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  2. 2
    The Covent Garden Old Price Riots: Protest and Justice in Late‑Georgian London
    by James Baker
    Published 2016-02-01
    “... at Covent Garden Theatre during the bitter months between mid-October and late-November 1809, the height...”
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    Article
  3. 3
    Espaços livres em praças inglesas do século XVII: o caso de Convent Garden
    by Maria Fernanda Derntl
    Published 2006-12-01
    Subjects: “...Covent Garden. Praça. Espaço urbano....”
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    Article
  4. 4
    The role of cultural flagships in the perception and experience of urban areas for tourism and culture : case study, The Royal Opera House in Covent Garden
    “... Garden as a case study. Covent Garden, as an important part of London’s tourist portfolio is a case study...”
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  5. 5
    « Une splendide anomalie ? », le Pilgrim’s Progress de Ralph Vaughan Williams
    by Gilles Couderc
    Published 2014-11-01
    Subjects: “...Covent Garden...”
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    Article
  6. 6
    O início da história de duas praças do século 17: a Place des Vosges, em Paris, e Covent Garden, em Londres
    by Maria Fernanda Derntl
    Published 2006-12-01
    Subjects: “...Covent Garden...”
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    Article
  7. 7
    El comienzo de la historia de dos plazas del siglo 17: la Place des Vosges, en Paris, y Covent Garden, en Londres
    by Maria Fernanda Derntl
    Published 2006-12-01
    Subjects: “...Covent Garden...”
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    Article
  8. 8
    Das englische Geschäft mit der Nachtigall : Betrachtungen zum italienischen Opernwesen im London des 19. Jahrhunderts
    by Zechner, Ingeborg
    Published 2017
    Subjects: “...Royal Italian Opera House Covent Garden...”
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    eBook
  9. 9
    The English Trade in Nightingales : Italian Opera in Nineteenth-Century London
    by Zechner, Ingeborg
    Published 2017
    Subjects: “...Royal Italian Opera House Covent Garden...”
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    eBook
  10. 10
    George Colman the Elder and the late eighteenth-century theatre audience
    by Wolohojian, Gabrielle R.
    Published 1986
    “... his managerial policies and theatre economics. Examining the years of his management of Covent Garden...”
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  11. 11
    Energy modelling and the Nexus concept
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    Article
  12. 12
    Policies and Predictions for a Low-Carbon Transition by 2050 in Passenger Vehicles in East Asia: Based on an Analysis Using the E3ME-FTT Model
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    Article
  13. 13
    Environmental impact assessment for climate change policy with the simulation-based integrated assessment model E3ME-FTT-GENIE
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    Article
  14. 14
    Climate model emulation in an integrated assessment framework: a case study for mitigation policies in the electricity sector
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    Article
  15. 15
    The Shakespearean alterations of John Philip Kemble
    by White, Michael Weldon
    Published 1979
    “... of a century as England's foremost Shakespearean dramatist and actor at both Drury Lane and Covent...”
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  16. 16
    “Damn him and the spikes”: Richard III, riot, and the formation of an Australian colonial theatre public
    by Kate Flaherty
    Published 2016-12-01
    “... on the Covent Garden “Old Price Riots” in 1809, this essay investigates the Sydney Theatre Royal’s 1833...”
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    Article
  17. 17
    Inchbald’S Kotzebue: The Wise Man of the East (1799) and Social Assemblage Theory
    by Worrall David
    Published 2014-02-01
    “...'s case, arising from his engagement at Covent Garden, suppressed repeatedly rowdy evenings. The paper...”
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    Article
  18. 18
    New Lines: Mary Ann Yates, The Orphan of China, and the New She-tragedy
    by Elaine McGirr
    Published 2018-11-01
    “... of The Orphan of China and Douglas, the play Covent Garden mounted in opposition to The Orphan of China....”
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    Article
  19. 19
    Ethical and professional issues: transcending the obstacles to student engagement
    by Blundell, BG, Lu, LW
    Published 2014
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  20. 20
    L’Opéra en version anglaise : un enjeu esthétique ou sociologique ?
    by Pierre Degott
    Published 2004-05-01
    “... considerations, between, on the one hand, the aristocratic Italian seasons of the King’s Theatre in Covent Garden...”
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    Article
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