What is the origin of the black film in the sculpture “Death of Cleopatra”?

by Pedro Azevedo, Maria Filomena Macedo, Amélia Dionísio
Published 2019-11-01

Risk analysis applied to the storage rooms of the Museu de Lisboa

by Nadine Padamo, Aida Maria Nunes, Maria Filomena Macedo
Published 2018-01-01

Preventive conservation applied to "Casa dos Patudos" oil painting collection

by Mafalda Fernandes, Sara Babo, Nuno Prates, Maria Filomena Macedo
Published 2016-01-01

Testing the Feasibility of Titanium Dioxide Sol-Gel Coatings on Portuguese Glazed Tiles to Prevent Biological Colonization

by Mathilda L. Coutinho, João Pedro Veiga, Filomena Macedo, Ana Zélia Miller
Published 2020-11-01

Diagnosis of two textile pieces from Santarém Diocesan Museum: a multi-analytical approach

by Rita Florentino Correia, Eva Armindo, Eva Raquel Neves, Márcia Vilarigues, Maria Filomena Macedo
Published 2016-01-01

Fungal stains on paper: is what you see what you get?

by Sílvia O. Sequeira, Hugo Paiva de Carvalho, Nuno Mesquita, António Portugal, Maria Filomena Macedo
Published 2019-11-01

A transparent dialogue between iconography and chemical characterisation: a set of foreign stained glasses in Portugal

by Alexandra Rodrigues, Mathilda Coutinho, Andreia Machado, Bruno A. Martinho, Luís Cerqueira Alves, Maria Filomena Macedo, Márcia Vilarigues
Published 2021-02-01