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Nathalie Saudo
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Nathalie Saudo
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Nathalie Saudo
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1
« Knocking on Mrs Grundy’s door with a bomb of dynamite » : peur(s) des femmes dans quelques New Woman novels des années 1893-1895
by
Nathalie
Saudo
Published 2008-12-01
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Article
2
‘Fine specimens of the race’ : Pourquoi se porte-t-on si bien dans Nouvelles de Nulle Part ?
by
Nathalie
Saudo
Published 2004-09-01
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Article
3
« Éprouver pour savoir » : l’observation participante d’Elizabeth L. Banks
by
Nathalie
Saudo
-Welby
Published 2010-06-01
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Article
4
Queering Christopher Kirkland (1885): Eliza Lynn Linton’s “Autobiography-in-Drag”
by
Nathalie
SAUDO
-WELBY
Published 2019-06-01
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Article
5
Bram Stoker, Dracula
by
Nathalie
Saudo
-Welby
Published 2011-11-01
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Article
6
Jane Jordan and Andrew King, dir. Ouida and Victorian Popular Culture
by
Nathalie
Saudo
-Welby
Published 2016-05-01
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Article
7
Michel Brunet, Fabienne Gaspari and Mary Pierse, eds., George Moore’s Paris and his Ongoing French Connections
by
Nathalie
Saudo
-Welby
Published 2017-03-01
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Article
8
Emily Eells, dir., Wilde in Earnest
by
Nathalie
Saudo
-Welby
Published 2015-10-01
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Article
9
Learning from Nature: Feminism, Allegory and Ostriches in Olive Schreiner’s The Story of an African Farm (1883)
by
Nathalie
Saudo
-Welby
Published 2017-03-01
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Article
10
Visiting the Highest Heaven: Gender-Free Narration and Gender-Inclusive Reading in Olive Schreiner’s Dreams (1890)
by
Nathalie
Saudo
-Welby
Published 2017-04-01
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Article
11
Talia Schaffer, Novel Craft : Victorian Domestic Handicraft and Nineteenth-Century Fiction
by
Nathalie
Saudo
-Welby
Published 2013-04-01
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Article
12
“Having to Think in Inverted Commas”: Feminine Discourse and Foreign Words in Sarah Grand’s The Beth Book (1897)
by
Nathalie
Saudo
-Welby
Published 2015-02-01
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Article
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