“And all the windows, great and small”. Finestre in Nightwood di Djuna Barnes
As a recurring subject and powerful symbol, the window dominates the female literary and artistic imagery of the twentieth century. It has been developed into mirror, photograph or painting, according to the writer’s needs, yet the basic shape of the frame is always retraceable. Among late modernist...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2015-01-01
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| Series: | Altre Modernità |
| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/4655 |