Revisiting Michael Snow’s Wavelength, after Deleuze’s Time-Image
Michael Snow’s Wavelength (1967) is one of the most written about avant-garde films. It has served as “a blue screen in front of which a range of ideological and intellectual dramas have been played out,” as Elizabeth Legge put it in a book-length study of the film, whose recent publication testifie...
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| Format: | Article |
| Language: | English |
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Sciendo
2013-08-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.2478/ausfm-2014-0001 |