Iconology of Mussolini. A journey between removals and rediscoveries in Italian criticism and exhibitions from the second post-war period to today
The cultural and political choices of post-war criticism were expounded in 1944, with the exhibition Arte moderna in Italia 1915-1935 curated by Palma Bucarelli at the National Modern Gallery in Rome, where futurism, metaphysics, the return to order and abstractionism are put aside by the advantage...
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| Format: | Article |
| Language: | English |
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University of Bologna
2019-01-01
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| Series: | piano b |
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| Online Access: | https://pianob.unibo.it/article/view/8983 |