Roy Andersson’s Tableau Aesthetic: A Cinematic Social Space Between Painting and Theatre
The article examines three films by Roy Andersson, Songs from the Second Floor (Sånger från andra våningen, 2000), You, the Living (Du levande, 2007), and A Pigeon Sat on a Branch Reflecting on Existence (En duva satt på en gren och funderade på tillvaron, 2014). The Swedish director depicts the hum...
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| Format: | Article |
| Language: | English |
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Sciendo
2018-10-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2018-0004 |