To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance
The article examines the use of the concept of mimesis in Adorno’s notes towards a theory of musical performance. In trying to idiosyncratically define the latter as “reproduction”, Adorno relied on a framework elaborating on concepts introduced by Arnold Schoenberg, Hugo Riemann and Walter Benjami...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2017-07-01
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| Series: | Aisthesis |
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| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/923 |