Du simulacre à la simulation : la vérité de l’artifice dans Galatea 2.2 de Richard Powers
This paper suggests that Richard Powers’ Galatea 2.2 may be construed as an up-dated version of Ovid’s “Pygmalion” insofar as it no longer pauses the question of artifice in terms of imitation but in terms of simulation. As opposed to simple imitation – whose artifice keeps the observer out of repre...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2009-12-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/1952 |