Visões e construções sobre povo e raça no campo cinematográfico brasileiro dos anos 1950: as teses de Solano Trindade e de Nelson Pereira dos Santos
<p>This article aims to address two thesis presented in the Congress of the Brazilian Film in the 1950s to relate them to the beggining of formation of the Brazilian cinematographic field. More precisely, we will analyze <em>Folclore e Cinema</em>, thesis defended by Solano Trinda...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
2015-08-01
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| Series: | Significação: Revista de Cultura Audiovisual |
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| Online Access: | http://www.revistas.usp.br/significacao/article/view/90223 |