Performer’s Body: Cross-Gender Casting as an Estrangement Technique in Theatre
The main thesis of the present article is that cross-gender casting can function as a Brechtian estrangement technique, an approach which denaturalizes gender and other social constructs. The term “cross-gender casting” is preferred to the term “travesty”, which is mainly used by Serbian theatre cri...
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| Format: | Article |
| Language: | English |
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University of Belgrade
2020-11-01
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| Series: | Etnoantropološki Problemi |
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| Online Access: | https://www.eap-iea.org/index.php/eap/article/view/1081 |